2. amps-preamps
  3. 1034575658

Ever perform a preamp bypass comparision test?

I'm still in the throes of trying to evaluate my latest preamp acquisition. Without going into what exactly that is right now, part of my testing lately has been to try bypassing its gain and attenuation sections by taking the output from the processor bypass loop straight into the amps. This sends the unpreamplified signal from the source directly from the preamp's input jacks to the output jacks at unity (zero) gain, preserving the same jack connections and cable runs as are present when using the preamp in the normal way. By setting the volume control to attenuate the regular output so it equals unity gain as well, and swapping the output leads between normal out and processor loop out, I can make volume-matched comparsions of what effects the gain and attenuation stages of the preamp are having on the signal.

Obviously, there is going to be some degradation or changes to the signal revealed in this test, and I am hearing them. At this point in my post, I could go off on a rant about how I fail to understand many print and webzine reviews of preamps that indulge in rhapsodizing over the wonderous benefits conferred upon the music by XYZ preamp - as if a preamp can somehow not only give control over volume and source selection, but also somehow 'improve' the signal coming from the DAC or phonostage - but I will attempt to refrain from this for the time being.

What I am wondering now is how many of you have tried this in your systems, and what were your opinions of what you heard if you did? Has anybody done this and failed to detect a difference? Anybody feel there was actually an improvement of some kind with the preamplification engaged? My own feeling is that if you answered in the affirmative to either of the last two questions, you either have yourself one hell of a magical preamp, or your sources' outputs are not very hardy.

[If you have never tried this test and want to give it a shot, just take care beforehand to judge the resulting volume you will be subjected to when running your source unattenuated straight into your power amplification, because you won't be able to control the resulting volume (unless your DAC has a variable-level output feature) - the level will be determined by what's on the disk and source's own output level. Just move the output leads going from the preamp to the amp from the regular preamp output jacks over to either the processor outs or the tape outs (if unbuffered), and then set the preamp volume control to match that level when listening from the normal attenuator-controlled outputs (unity gain). From there it's just audition and swap, audition and swap, audition and cry...]
zaikesman
zaikesman OP
3,017 posts
 
Jetter, need I reiterate for you that this is *not* a product review? This post, if I do say so myself, actually delivers on the promise implied by its title line, should you choose to click on it - something that other post you refer to did not (as of right now, mine is still the only response to that three-sentence 'review', which should be some indicator of how worthwhile it was). If you have some pertinent criticism of my post here, then please, by all means contribute it. (And if you care to see how I do write a product review, you know how to find that too.)

Drubin, I just want one control center in my system, without having to go around back and pull wires all the time, and with the gain I sometimes require to listen at higher levels. I realize there is always, at least in my own opinion, going to be some sonic tradeoff for this convenience. I know I wouldn't be the first audiophile to have ever concluded that a preamp is basically a necessary evil. :-)
jetter
2,952 posts
 
Actually Zaikesman, I own Museatex equipment including MTR101 amps that the gentleman was reviewing. When you have all non-mainstream equipment and someone finally discusses something you own, whether in favorable or unfavorable terms, its a bit of a treat. Oh well.
av_specialist
13 posts
 
Would you care to elaborate why you would want to spend a lot of time doing this comparison test? Do you listen to music always at unity gain of your source components? Have you considered that unbuffered outputs of source components usually do not interface well with power ampfliers inputs?
zaikesman OP
3,017 posts
 
First question: I'd want to spend time doing this test in order to learn about my preamps and what they are doing, not only in comparision with each other, but to the unadulterated source.

Second: Of course not.

Third: Not true. It's passive resistive volume controls and long cable runs that source outputs may (as opposed to "usually") not interface well with, not amplifier inputs in most cases.
av_specialist
13 posts
 
1) Are you inferring that volume controls, buffer stages, and output switching in preamps do not affect their sonic characteristics? When you listen to rec out or unity gain outputs of a preamp, you are by-passing all of the above mentioned.
3) Not true is not good enough. It depends on the buffer stages of the source components.
More to discover