Eminent Technology ET-2 Tonearm Owners



Where are you? What mods have you done ?

I have been using these ET2's for over 9 years now.
I am still figuring them out and learning from them. They can be modified in so many ways. Bruce Thigpen laid down the GENIUS behind this tonearm over 20 years ago. Some of you have owned them for over 20 years !

Tell us your secrets.

New owners – what questions do you have ?

We may even be able to coax Bruce to post here. :^)

There are so many modifications that can be done.

Dressing of the wire with this arm is critical to get optimum sonics along with proper counterweight setup.

Let me start it off.

Please tell us what you have found to be the best wire for the ET-2 tonearm ? One that is pliable/doesn’t crink or curl. Whats the best way of dressing it so it doesn’t impact the arm. Through the spindle - Over the manifold - Below manifold ? What have you come up with ?
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Frogman, do you mean 19 was a little too much and ...

I think I agree that 16 - 17 seems to be the sweet spot in my system.

Ct, that was an amazing setup on the Chinese thread. Do I understand correctly that he had mounted the arm from the top on a micrometer controlled X/Y stage???

I just got a post back from Mike at VPI with some suggestions so my next move will be setting up a ball suspension to replace the springs in my TNT. Apparently this will make a significant difference.

I just realized I can set up a system with pictures so I will try to get something posted.
Apbii, yes 17 was the best in my system. But keep in mind that this had everything to do everything else in the system. I don't think it is a matter of the ET "working best" at 19 (or 17) psi. I think I can safely say, after working with this arm for many years, that the arm "works better" (tracks better) at somewhat higher psi than that achievable with the original stock or even the Wisa pumps, but after that point (+/- 9psi?), it is probably a matter of personal preference (system).
My account is all buggered up – cannot login – but able to now make a post.

Frogman – very interesting about the balsa wood I beam – would love to see a pic ? Of the 3 different compliance I Beams you have which one comes closest to the stock ET2 I Beam that I assume most of us are using ?

Regarding the PSI’s – here are my thoughts on this especially to those of you with TNT’s of which many ET2’s were mounted in the day. I own a TNT2.

Apbiii – Regarding your TNT. Do you have an SDS or are you using the old PLC controller ? if the old PLC I recommend acquiring an SDS first before doing any other upgrades if you are going to keep the TNT long lerm. It is very valuable and has high resale value as well. Many are looking for them used even non-vpi owners.

This applies to anyone else here that has a TNT or a table where the motor can moved and you have an accurate speed controller like an SDS and are still using belts. It only costs $1.50 and 5 minutes to try out.

I have spent the last year focused on drive systems. Comparing DD, Idler and Belt. I have dismounted and mounted my ET2 arms probably 10 to 15 times during this comparison and testing moving from one table to another.

I have a TNT2 with upgraded bearing / SDS. I modified it and changed the drive to different threads and settled on UNWAXED dental floss. The differences were NOT subtle. For my TNT ownership - the higher pressure ET2, the SDS replacing that old PLC and the defeating the tri pulley belts for a straight shot of unwaxed floss all had equal benefits. Speed stability, blacker backgrounds, and detail all increased. The dental floss is transmitting far less motor noise into the platter and the SDS is earning its keep – making sure it stays accurate.

Thread knot

I highly recommend you try this $1.50 5 minute experiment. Don’t use the tri-pulleys they can only introduce more noise. Those with flywheels do not use them for this. Put the motor where the flywheel is and wrap the floss around the motor and the platter only. Just move the motor in a bit then out to tighten the floss. Listen to a few lps. Once you have it working start moving the motor out an inch at a time/tie a new thread. Each time you move it out the "energy of the music" for lack of better word multiplied in my system. Those with early TNT's like me to move the motor out further need to take out the motor/pulley frame and place it beside the table reversed so the motor is closest to the platter. Please try this. I had a lot of fun with it. Pls give impressions.

Cheers
Chris, do you sill have the springs in your TNT? I have seen much discussion about different drive belt materials but I have not tried it yet. Perhaps it is time. From my perspective I don't see how the background is going to get much blacker as it is pretty much silent now if the record is good quality and clean. I gave up on the tripully setup years ago and don't miss it at all.

I am using the PLC drive and really should try a SDS. I think I may try to borrow one before I make the plunge. When you talk about speed stability are you talking short term or longterm, e.g. wow and flutter or pitch control?

I just splurged a bit on a new prepro so I'm not quite ready to invest more at the moment.
Apbii – You can see what I did to my TNT in my virtual system. I used a pneumatic suspension under the pillars - AT616’s.

I am talking about speed stability. I personally was not aware of how much wavering there was until I heard different tables next to one another in my room in direct comparison. That made it obvious.

Two ET2 arms / same cartridge. Two different tables at a time.

Recommend u take half an hour sometime and read through this.

Speed Stability

A little more about the ET2 High Pressure PSI factors as I was thinking about this. Opinions ?

The ET2 and ET 2.5 high pressure manifolds with the spindles have been already tested by a number of people including Bruce and they are stable to 20 psi.

If you are hitting plateaus at 15 – 16 -17 psi with the music there has to be something out – or someone explain to me how this can be based on the above statement. I am confused about this.

Some factors to consider.

1)It could be the arms manifold/ports/spindle. Clogged or blocked like a persons arteries when they get older. They are easily cleaned (I mean the ET2 not the actual person :^) – see the manual. Some over tighten as Frogman indicated this will warp parts of the arm. Not good. The good thing is you can loosen them up and they should go to form again if they have not been damaged. Many tighten down the bolts on either sides of the arm pillar/post to tight. I did this with my first ET2 arm years ago.

2) Air Supply system. Water/different temperatures/ quality of pressure.

3) Turntable affected by Structure Feedback – most likely and look to this first.

See my page for my sound pressure findings. It was a revelation to me.

If you think you are ok because your rack is on the concrete basement of your house - think again.
Concrete slabs are full of air pockets.

YMMV

Any other reasons why the arm would not work and sound fabulous out to 19-20 psi ?

I am really looking forward to our cartridge discussions with the ET2.0 and ET 2.5 arms. Will let someone else start this off.

Cheers