When does analog compete with digital?


With vinyl becoming all the rage, many believe (perhaps mistakenly) that a budget of $1K will allow them to bring their analog front end up to par with their digital. I would like a reasoned assessment of this issue.

How much time, money, and expertise do you think is necessary before one can seriously claim that their analog front end can compete with their digital? What characteristics, if any, are simply incommensurable between these two mediums? Let's use my system as an example.

Personally, I tried to build an analog front-end that focused on texture/warmth (as opposed to dynamics), but I still feel as though something is missing. Trouble is, I can't quite put my finger on it. I'd be grateful for comments/suggestions (system in sig)
jferreir

Showing 2 responses by cerrot

I think one of the things that was missed here is why so many (non-audiophiles, mostly) people believe CD's sound better than vinyl. The lack of surface sound, ticks, pops mislead most in thinking CD's are better (more dynamic, quieter). Now, when you climb up the vinyl scale in quality of components and system matching, synergy, set up, leveling, etc, the surface sound goes away and ticks and pops are deminished. I think somehwere there is a cost associated with where that surface noise, etc., goes away. I know you don't get there with a $100 cartridge and $250 phonostage but somewhere above there may be the answer. Once those distractions are gone, one can hear the dynamics, nuances, spatial ques, air, etc (all the things that make vinyl sound great).
I think they are less than optimally set up because they take a bit of effort, knowledge, tools and investment (accurate scale, strobe) and the average user doesn't understand what's involved with acquiring the best sound from a vinyl rig, or how to get there. The smarter ones have their dealr set them up in thier homes but you still need the ongoing sped checking, VTF, VTA, erc., throughout the TT experience. Very few are set and forget--CD players usually are. You buy a cd player, plug it in and that's pretty much it. A vinyl rig is much more complicated than that. Many TT's are offered as a one box solution, buy it, open it up,hook it up and they lead you to beieve you're good to go, but you probaly aren't and need to read a book, internet article, one of Mickey's DVD's. A CD payer out of the box usually sounds better than a TT out of the box for these very reasons. You won't buy a $10,000 TT and not understand this, but you may buy a $1,000 TT and have no concept of the work involved to set it up properly. I do believe that a $1,000 TT set up properly can outperform a more expensive TT not set up properly. The set up issue is fairly removed from CD players. IC's and PC's and isolation on a CD player are no where as much of an impact as leveling, speed, etc., on a TT.