The Truth about Modern Class D


All my amps right now are Class D. ICEpower in the living room, and NAD D 3020 in the bedroom.

I’ve had several audiophiles come to my home and not one has ever said "Oh, that sounds like Class D."

Having said this, if I could afford them AND had the room, I’d be tempted to switch for a pair of Ayre monoblocks or Conrad Johnson Premiere 12s and very little else.

I’m not religious about Class D. They sound great for me, low power, easy to hide, but if a lot of cash and the need to upgrade ever hits me, I could be persuaded.

The point: Good modern Class D amps just sound like really good amplifiers, with the usual speaker/source matching issues.

You don’t have to go that route, but it’s time we shrugged off the myths and descriptions of Class D that come right out of the 1980’s.
erik_squires

Showing 5 responses by stereo5

Sorry Erik, but every Class D amp I have heard tells me they still aren’t ready for prime time.  Close, but no cigar.    I hear a brightness to the overall sound that many call “detailed”.  I do not like detailed sound, I prefer the lush romantic sound, think Mac.  What I don’t get is the price of some of the Class D amps, much fewer parts than a conventional class a/ b amp yet they  cost as much if not more.  

With that being said, I do prefer the sound of the Hypex modules over the Ice slightly, but that is just my opinion.  I am basing my observations on the Merril monoblocks, the wyred4Sound amps and a few others I really cant remember. 
First of all, I was giving my opinion and experiences with Class D and found it’s not for me, period.  I am ecstatic with my McIntosh amp, pre and integrated and they are the keepers for me.  As far as being short sited, since I am not considering any more purchases, it really does not matter.  I have heard 5 or 6 different Class D amps and have not liked any of them, so why would I continue to seek them out?   Perhaps you should of mentioned in your original post not to comment if you aren’t a fan of Class D, then I wouldn’t have bothered.  Sorry I burst your bubble.  
Watch out George, I stated I don't think Class D is ready for primetime and was jumped on.  Watch out, the Class D police are out there, lol.
@erik Squires...……………………………...

A good friend has the Merril Audio Class D monoblocks. Do not know model number, but they were painted very red. I find them dry and tipped up on top. I tried the Wyred4Sound Class D stereo amp in both of my home systems. I had it in my systems for 2 weeks. I left it on 24/7 and played the Isotek burn in cd for 10 days straight, 24 hours a day. I didn’t like the presentation one bit. Actually, it sounded better before all the break in, but not better in a way I would have kept it. Back it went.

I heard a Devalient, and kept asking myself what all the fuss was about. I heard the MBL integrated (the one Stereophile loves) at the RMAF, hated it. My wife said it sounded shrill. My son has a NAD 3020 integrated Class D amp (the first one) . The rest of his equipment I gave him, a pair of Kef LS50 speakers, Audioquest cables and speaker wire, my old Sony SCD777es SACD player and a Magnum Dynalab FT11 tuner.. I can’t stand listening to his system, way too bright for these old ears. My son thinks it sounds clear, it just gives me a big headache.

I have heard a couple more class D amps in stores but not for long listening sessions. Sorry, I just do not care for it. Does that make me a horrible person because I don’t like them? I enjoy the lush romantic sound I get from Mac and since I am spending my money on it, what I like counts (to me).