Mag editors and interviewers could do better


Is it just me or are there others who find the typical interviews with audio designers in the paper mags to promise more than they deliver? I'm not out to try and learn the intimate details of the people who design truly state-of-the-art gear, but I guess I’d like to know more that the predicable questions in the mags. But is this wise though? Is it better to not ‘meet’ your heroes. I'm just not sure.

For example, what design process led to the magnificent Vandersteen 7 product? Not just ‘we wanted better’ or ‘we didn’t cut corners’ and stuff like that. What did Beveridge use as his benchmark? Not just ‘try to recreate the live sound’ and so on. So, despite my uncertainty if this is a wise cause, I will be very interested to know the questions that people like us would like answered – if indeed there was an opportunity to ask them?
Thanks.

My system (passive)
Vandersteen 2Ce Signatures
LFD PA2M (SE) power amp
Benchmark DAC-pre
XTZ Cd player
Kenwood / Trio KT917 FM tuner
Nakamichi 682 tape
Pink Triangle PT Too
Breuer 8 Dynamic arm
Van den Hul MC1
LFD phono stage
Speaker cables – various LFD Audio
Interconnects – vintage Stereovox and LFD
Power cords – Black Rhodium, PS Audio
Power regeneration – PS Audio
128x128bigaitch

Showing 1 response by bigkidz

Hey I designed a DHT preamp. What I was striving for was real sound to me. frequency extension, beautiful mids, soundstage height and depth, placement of instruments, layers of details without the typical audiophile sterile sound, etc. How am I trying to get there? I tried numerous chassis designs with wood, metal (aluminum, steel, copper) and different thicknesses. Tried four or five different output transformers before deciding to wind my own, caps, resistors, wire, different tubes old and new, all types of volume controls, interstage transformers, power transformers, single stage design, two stage design, tried battery power designs, etc. Three years trial and error and comparing to other manufacturer designs and in other peoples systems. I have learned how each part of the design works. But it also comes down to mixing and matching some of the parts to see how those combos work together. Three years in the design and I am almost to the point where I feel there is not much more room for improvement. I am close to as perfect sound that I think everyone would like to hear from a preamp as I think I can get. I also think that everyone has a sound they are looking for and mine may not be that sasme sound. I built into the preamp a switch that you can change / taylor the sound to your system in five ways, sort of the way cables change the sound.

Is this what you would be looking for from the designer?

Happy Listening.