loudness wars: digital recording to improve?


interesting article here: http://mixonline.com/mixline/reierson_loudness_war_0802/

let's hope the thesis is correct!
tanglewood

Showing 2 responses by eldartford

Again the role of error correction is misunderstood.

Error correction is not a band aid to fix undesired screwups. It is a method of handling an expected rate of errors resulting from operating the hardware at a much higher bandwidth than it could handle without errors. As long as the error rate does not exceed that for which the algorithm is designed the output data will be exactly the same whether errors occur or not, and, incidently, will be identical to the original data before it was encoded for error correction. It is not simple interpolation of adjacent data, although that may be done as a fall-back if the error rate is excessive. Not the greatest, but better than aborting the playback.
Mapman... True.

Manipulation in the form of equalization, compression, peak limiting, echo, etc are intended to change the way it sounds, and are therefore fair game for opinions. Error correction, on the other hand, changes nothing between the original data and the data played back, and so is inappropriate for discussion in context of sonic quality.