I have heard both cartridges, not on the same arm. The Hana is a little warmer sounding to my ears than the Kleos. For what it's worth, I went with the Kleos.
Hana Umami Red or Lyra Kleos?
I’ve found out about two or three cartridges in my price range of $3000 -$4000 that should work well within the limitations of my Luxman 505uX Mk II’s built in phono stage. The other cartridge is the Soundsmith "The Voice" MI cartridge. Next I’ve had to figure out which are also compatible with my VPI Classic 2’s JMW 10.5i tonearm (with or without the VPI two pivot mod).
I’ve been informed off my short list, the Hana Umani Red and the Lyra Kleos both appear to have the right specs to be appropriate candidates for use with the VPI JMW 10.5i, However the Soundsmith "The Voice" would have weight and/or compliance issues.
Have any of you advice as to which of either the Hana Umami Red or Lyra Kleos MC cartridges you might prefer? I’m pretty sure these are both excellent choices, but may have some differences you might be able to point out, I’m a bit disappointed the Soundsmith "The Voice" might not match up well with the VPI JMW 10.5i tonearm, but so it goes. Thanks for any advice and sharing your experience with either of these cartridges.
Mike
Showing 5 responses by daveyf
@skyscraper I went with the Kleos because i wanted a more resolving cartridge and felt the Hana was a little veiled in comparison. This could have been due to set up, or upstream/downstream gear, as I did not hear the two cartridges with the same arm/table etc., I used to own a Benz Ruby 2, which was a great cartridge, but again a little warm balanced. At the time, Benz was no longer available as an option to me, otherwise I would have gone into a Benz LPS MR. ( which is a superb cartridge), so the choice was for the Kleos. ( which is also a lot more resolving than the Benz). The Kleos requires a very very precise set-up and loading to get it best; when I hear people naysay the Kleos ( or newer Lyra’s in general), I know they have listened to one that was not set up with enough precision. The Hana most likely is FAR more forgiving in this respect.
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I have my Kleos mounted on a Well Tempered Black arm, this combo works very well. I think the SL version is best suited to someone who is able to use a SUT upstream of a ss phono stage…and nowhere near a tube phono stage. Otherwise, the standard version is the way to go, as it has a healthy voltage output. |
The key, already mentioned, with the Lyra Kleos is to assure a very accurate and exacting set up. IF ( a big IF) this is done correctly, you should be in a good place. Personally, I do not like VPI tables or arms, but this is a personal opinion. I can easily see why folks do like them and I have heard Lyra's sounding quite good on these tables. As mentioned above, there are a number of great tables and arms out there, albeit mostly all far more $$ than the OP's set up. My Lyra dealer happens to also be a VPI dealer, he has set up numerous of these combos and most folk like the results. |