pro acs are great, so are totems. the others are nice but not as adept on all types of music. if you audition using a well recorded piano (for weight and tonal accuracy)the difference in the pro acs/totems vs the others is jaw dropping. the larger castles(harlechs and howards) are also amazing(they build the pro ac cabinets). they are half price at some audiogon retailers too.
Comparing ProAc, Totem, Soliloquy, Tyler
I've been a happy long time ProAc monitor owner. Specifically, Response 1SCs and Tablette 50 Signatures.
However, I've been wondering about other well regarded makes of monitors and even floor standers especially those by Totem, Soliloquy, and Tyler and how they compare tonally to ProAcs, in general.
What I enjoy about ProAcs is their blend of warmth with detail and their outstanding soundtaging and imaging. I've compared my monitors directly to Sonus Faber Concertinos and Vienna Acoustics Haydns and preferred the ProAcs for their focused yet romantic nature.
I listen to a wide variety of music, but mostly favor genres with acoustic instrumentals and vocals, and I'm finding that given a choice I'd favor a nice full midrange over a sonic character many might consider more correct.
I'd appreciate any Audiogon experiences relating what they changed to from ProAcs or vice versa. Or any opinions of perceived differences between ProAcs and other brands that I might like.
Thanks for your help,
Dean
However, I've been wondering about other well regarded makes of monitors and even floor standers especially those by Totem, Soliloquy, and Tyler and how they compare tonally to ProAcs, in general.
What I enjoy about ProAcs is their blend of warmth with detail and their outstanding soundtaging and imaging. I've compared my monitors directly to Sonus Faber Concertinos and Vienna Acoustics Haydns and preferred the ProAcs for their focused yet romantic nature.
I listen to a wide variety of music, but mostly favor genres with acoustic instrumentals and vocals, and I'm finding that given a choice I'd favor a nice full midrange over a sonic character many might consider more correct.
I'd appreciate any Audiogon experiences relating what they changed to from ProAcs or vice versa. Or any opinions of perceived differences between ProAcs and other brands that I might like.
Thanks for your help,
Dean