Andy Kim - Needle Clinic


I wanted to put this post out there about Andy Kim of Needle Clinic, located in Bellevue, Washington. As many may know, Andy is a cartridge re-tipper. I tried to find some older posts to add my comments but couldn't find them. So I'll start another OP. I just got my Lyra Kleos back from Andy today. Here's my comments.

My Kleos sounded a little off lately, so I thought it should be checked out. I sent it to Andy Kim. It turns out all that was needed was the stylus required a cleaning and polishing. Andy reported back that the stylus only has about 10 percent wear; IOW plenty of life left.

So I remounted the Kleos today and have been playing all types of music: rock and roll, classical, and so forth. The Kleos sounds wonderful; just great. Kudos to Andy Kim.

Fyi -- some may ask why I didn't send it to Peter Ledermann at Sound-Smith. I seem to recall reading somewhere that he's been unusually busy lately -- and with good reason -- and turn around might be a bit delayed. Also, I'm not sure Peter uses replacement cantilever/stylus assemblies that match (or at least come close to) the original. Andy does.
Anyway, that is a bridge I don't have to cross today.

Bottom line: Andy turned my cartridge within a week of receipt and I am pleased.
bifwynne

Showing 1 response by jctapana

Greetings from Mexico City.

I just got my cartridges back from Andy, a very nice and helpful guy, with the fastest turnaround time: 1 day, can't beat that.

I sent him two cartridges: a Shelter 901 (previously Soundsmithed to a ruby cantilever) and an Ortofon OM40 Gold. I didn't know MMs could be retipped, go figure!!!

I'm impressed with the results, they sound so good now, way above their league. Andy states that a proper retipping (a proper stylus-cantilever setup) is very very important, even more critical than the cartridge itself. I believe him now.

Both were upgraded to boron/microridge and I clearly noticed the following from the very start: less congestion in loud passages, truer timbre, no distortion at the beginning and end of the record sides, little to no stress in loud vocals, far more detail, less friction noise, a better sense of each element's surroundings.

The Shelter is now more like a brand new 4-5 KUSD cartridge (think Koetsus, Lyras, Clearaudios). Piano and strings' long notes are more stable, with clear decays. The microridge adds a syrup coat between the stylus and the record that makes voices transparent, sweeter, more present and nothing spitty. I have a couple of very demanding japanese pressings that have caused trouble in the past, but not now, the boron handles them in spades. There is also more life in the sound. Some defects I associated with vinyl as a media, are now gone. Records I've been spinning endlessly for 40 years come alive like never before.

The Ortofon is close to the Shelter, which is saying a lot, considering it's way below the Shelter's price. The Shelter is a bit more refined, nothing more.

I am glad I found Andy, thanks for the good work, keep it up.