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An Audiophile Goal

An Audiophile Goal.

I have been grappling with the perceived problem of listening to LPs at the same volume setting, for every LP. The original post that I addressed this problem with is here http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1179765549&openmine&zzAcoustat6&4&5#Acoustat6. It was to discuss my idea of playing back all LPs at the same volume setting regardless of type of music or recording etc. To say it was a debacle would be an understatement to say the least. The discussion did not start the way I thought it would and went quickly downhill from there. I would like to put that behind me and realize why it was so controversial and failed as a discussion. As I originally said this idea was new to me and it took such a long time to coagulate my thoughts about this and the reasons why it works. The answer is obvious now. I didn't have an audiophile goal.

I got the answer from reading the recent post about J. Gordon Holts article in Stereophile which was discussed on Audiogon. .
The reference being about an audiophile goal in one of the posts. This was my thought, myself and audiophiles in general don't have an audiophile goal (actually, I do have several but I will stick to the topic). It seems that no one can agree on a goal, its all so subjective some say, I like it loud, I like it quiet, I like a lot of bass, I like imaging and on and on. This is fine, that is why we all buy different speakers and equipment. It comes down to you can't measure music. You have to hear it, does it make your toe tap? Can you listen at a low level? Is the tweeter too bright? Is the Bass too loud? Ad nauseum. And there we go again are my toes tapping enough? What is low level listening? Is the bass loud enough for hip hop but too loud for a violin concerto?

I found myself an audiophile goal and an easy one at that, its 20-20k hz. Yeah, you like it too. Right? You buy phono cartridges, pre-amps amps etc. that are flat 20-20k hz. So my audiophile goal is to get 20-20k hz flat (as possible). I said I needed a goal! I know there is more to it than that, but undeniably it is a goal. Now if I go with a test reference of 83db at 1000hz from my test LP this will be an excellent level for dynamics, noise levels and acuteness of hearing. All that is required is 1000hz at 83db from the test LP and all other freq matching this level, So 10,000hz and 5,000hz along with 500,100, 80, 50 and 30hz with all of the freq in between at the specified level of 83db will all be played back off of the test LP at the same level or as close as possible as can be obtained within a systems speakers and equipment and rooms limitations. Find this level and you leave your volume control set to this position for every LP you play. Pretty simple actually.

The original idea came to me slowly over the last three to four years, though I struggled with the quandary for as long as I can remember and I have yet to hear anyone say, sure you don't do that? I thought we all did. All because I didn't have an audiophile goal. Now I find out that perhaps even J. Gordon Holt may not have an audiophile goal, even one as simple as this. The best thing is now I get to listen to all of my LPs at the same gain setting with its attendant qualities of dynamics, constant noise levels, unchanging freq response and a host of other benefits which come along for the ride.

I knew it was wrong to be changing volume levels and bass levels for different LPs. Jumping up in the middle of a song to hear the bass drums or turning it down for a quiet violin solo and doing the same for complete albums. It was insane, I always felt like I was in junior high school cranking it up for the cool parts. But every one does it, so did I. I was missing that audiophile goal.

I enjoy listening to my Lps, many of which I still have from my early high school days and everything in between which amounts to about 2500 quality LPs. As a now confirmed audiophile, now that I have a realistic and perhaps more importantly a measurable goal, I could start figuring out which albums sound good and which do not. It was easy, every LP is played back at the same gain level (volume control setting if you will) and guess what you hear? Every Lp for what it actually sounds like.

Another benefit is that every system you hear is played back to the same standard from the same test LP, perhaps it could even be used at audio shows where every room is played back at this reference setting. If you choose not to listen at the standard then it is stated at the door that reference setting is either higher or lower than the reference. This way if you choose not to abuse your hearing in a room that is 6db above the reference standard you are warned before entering.

And all of this because J Gordon Holt didn't have an audiophile goal.

If you can listen to one Lp at a certain level whether it be a high or low level why can't you listen to any other record at that level?

Just a few thoughts.
Thanks,
Bob
acoustat6

Showing 2 responses by emailists

emailists
923 posts
 
Bob,

I think you are focusing and obesessing about aspects of reproduction that are not going to further fidelity.

In the video world we have different levels of 1hkz tone for different tape formats, be they analog or digital. No one would expect to play them all back at the same level - even different machines will record at different levels, and therefore they must be compensated for.

I realize this issue of playing back all LP's at a common level is important to you, but please realize that you are perhaps the only one in the world who this is important to. If in fact you were looking to design a system that had no volume control to denigrate the sound, then yes, I could see this discussion bearing fruit. But that does not seem to be the case.

Our hobby is an obssesive one for sure, but when other people who share your zeal for the best reproduction possible are telling you that your focus is misguided, you may have to examen in your life what is going on, perhaps under the guidance of a professional. You seem like a very nice guy, well educated, insightful, etc. It's really worth investing in yourself to be the best person you can be. You might even find you're enjoying listening to music more without worrying about the levels each LP/recording was cut at.

Have a great holiday.
emailists
923 posts
 
Hi Bob,

The post in which you quoted me was about low quality "bootleg recordings" made on microphones snuck into concerts.

It had nothing to do with LP playback at all. The gist was that on my high end system, some bootlegs didn't sound very good, yet on my lower quality computer system, the same bootlegs sounded more listenable. The entire thread was asking about if other people listened to very low quality recordings on high end systems.

This has nothing to do with your original question about establishing a reference level of LP playback. I offered you my proffessional input about reference playback levels from my field, in the hopes of getting you to realize that perhaps your efforts towards higher fidelity may best best be directed elsewhere.

Yet rather than address any of the annecdotes I or anyone else presented, you chose to read through a bunch of my past posts looking for anything resembling a contradiction with which to discredit me. I see the pattern here and it's obvious the help you need is not to be found on any audio forum.
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