Accurate vs Musical


What is the basis for buying an "accurate" speaker over a "musical" one? I am very familiar with most audiophile jargon but this is one that confuses me. Musical to me means that the speakers convey the "air" or/and overtone of instruments.

"Accurate" on the other hand is what, the accuracy of a single note? If accurate does not convey the space of an instrument, how can it be defined as accurate? I can understand why an "accurate" speaker can be used in a recording studio or as a studio monitor but for casual listening/auditioning?

Thiel is an accurate speaker but Magnepan is more musical so which would truly be more faithful to the original source? Someone please clear this up for me. Thanks.
ebonyvette

Showing 3 responses by gregm

Excellent point, Ebonyvette: a very justified mystification, and one that has had me reading b/ween the lines to understand.

Etymologically, an "accurate" speaker will be "musical" or xyz, or whatever the signal fed into it is. Pbb explains this above very well (I would disregard the "subjectivist" & objectivist & other incidental "-ists", however).

As usually used, neither term is "accurate". "Musical", undefined is audiophile mumbo-jumbo: quite appropriately, you defined "musical" above. Most people don't define either term (inlcuding reviewers unfortunately) and use them indiscriminately. Likewise, for "analytical".

What is often meant by "accurate" it seems, is the reproduction of sounds without the energy, dynamic content and/or emotional impact of musicians playing, if you will -- i.e. music that sounds like the musicians are solving a mathematical equation, not putting their soul into the piece...
Or, do I mean "analytical":)?
Baroque:
I have heard speakers that reproduce a recording perfectly but sounded sterile doing it
How can they reproduce a recording "perfectly" and yet sound "sterile"?
Unless: a) the recording itself is sterile OR
b) you prefer some non-linear distortion in the reproduction:)?
You probably mean s/thing else
Cheers
Mrtennis:
some hobbyists will attempt to "adjust" their stereo systems to sound more like instruments, while others will try to minimize inaccuracy. both are problematical efforts, because a reference is lacking. the sound of a recording is unknown
As stated, the premise is correct. However, it presupposes that the objective is the (live) performance.
I don't think that this is a viable -- or correct -- pursuit for sound reproduction.
*For live music we go to a concert.
*To enjoy music, we can also listen to transistor radio, our cell phone, etc.
*A sound reproduction system offers enjoyment through two parametres:
--the actual music
--the system playing the medium on which the music is recorded.

Both variables are at play.

"Accurate", as you present it would indicate "closest to the medium (cd, LP, etc)" AND as you note, we have no real reference to the actual event even through the medium at hand.

So, I would suggest that hobbyists turn to adjusting their systems to "sound closer/more/better/etc" to the instruments.

I listen more to orchestral music and that is what I've (now) turned to.

I used to think that an "excellent" system plays all kinds of music -- i.e. offers the same level of enjoyment playing all kinds of music.
I'm not so sure any more. My system plays classical. I can also adjust it to offer enjoyment playing blues - but it needs an "adjustment.
Cheers