The Best Midrange in the World Right Now



There seem to be a growing number of posts which lament the fact that hi fi has gotten too hi fi, too neurotic, and just doesn't sound good.

As I thought about this, I realized that many of the most enduring, classic audio products (Quads? LS35a's? ARC tube amps & preamps? Apogees?) were noted not for their "transparency", thunderous bass, "resolution" or high frequency "extension".

No, what seems to have stood the test of time was old fashioned, middle of the road MIDrange. Is midrange the best benchmark for our hobby?

In many threads, a mention of midrange seems almost quaint and/or apologetic:

" the classic ________ doesn't have the "resolution" of many of today's products in the $150 to $200,000 category, but it still boasts MIDrange which will put all of them to shame!.."

I find this very curious, as to me, there is no high end without glorious, gorgeous, natural, startlingly lifelike MIDrange.

Please, support midrange.

And tell us: what components or combination of components can still deliver good old fashioned midrange today?
cwlondon
Brian,

But when loudspeakers are given enough power, a system can produce awesome dynamics, with sound that feels so real you can almost touch it.

What musical fidelity says is true, however, what they neglect to mention is power compression in speakers (due to thermal issues and excursion outside of Xmax or linear excursion range of their often cheap drivers)

This means that ALL speakers will compress at higher SPL ouput levels and only "true Hi-Fi" speakers, to borrow musical fidelity's language, will compress very little.

Furthermore, speaker distortion increases very rapidly above 95 db SPL...so not only will it compress but it will sound harsh and perceptively very loud (due to distortion perceived as loudness by the ears/brain)

In practical terms this means that a 500 Watt amp will not help you with a typical audiophile grade speaker that uses $80 retail cost woofer drivers (with limited Xmax and thermal compression characteristics). Again to borrow and reverse their terminology, this is like connecting a Ferrari Engine to a Sewing Machine transmission!

Equating speaker sensitivty and amplifier power to maximum SPL output level is completely academic or meaningless, as most $80 dollar woofers are already compressing/distorting severely at 105 db spl levels!

For example, the best subwoofers typically have way more than 30% THD at 20 Hz when approaching levels of 105 db (the majority are totally off the scale in distortion)...some of the very best will be around 5% THD and the best published specifications, such as the Velodyne 1812, claim 1% THD!

So what is the point of all that amplification?.....nothing if it coupled with a typical sewing machine!
I should have stated in my post Shardone that this wasn't necessarily my view, I just received this email from MF and immediately thought of this thread and posted it.
Further to Shadorne's recomendation of ATC's, has anyone heard both the SCM 7 and the now discontinued SCM 12?

Would be curious to hear any thoughts and thanks.
I to had a Audionics BT-2 preamp connected to a pair of Dynacos Mark 6 mono tube amps . Excelent sound , especially in the midrange .And this was when all the good cables you could find was Monster Cable original cable.
Good horn speakers have the best midrange, other than that then I would have said belly dancers.