CD's you bring for auditioning


Do you also have some CD's which you use to audition equipment and which will reveal immediately shortcomings, eg I use

Buddy Guy - Sweet Tea (first couple of tracks can be unbelievable hard to listen to on some equipment

Pink Floyd - DSOTM, checkout the bass, the clocks can sound 'washed' up on some over-tubed systems

Pink Floyd - The Wall , played at loud volume will immediately reveal shortcomings on loudspeakers

and yours...
vinylmeister
Thanks Rsorren, I appreciate the detailed response but I'm afraid there a few crucial details missing.

1. Which recording of "White Room?" There are probably a 100 of them.
2. Which Dianna Krall album?
4. Larry Carlton has a bunch of CDs on his website. Which one? The one that is titled "Larry Carlton" doesn't have that song for track 4. When I search for that song I find it listed on 6 albums.
5. I look on allmusic.com and find about 8 groups named Lu. I also found 16 listings for "hot blood" but none for a group named Lu.
6. I also see several listings for Shelby. Which recording by which Shelby?

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Herman, I was refering to my first response.
1. Cream - Live at Royal Albert Hall - White Room
2. Diana Krall - From this Moment On
3. Larry Carlton - Greatest Hits Re-Recorded from his web-site
4.Lu refers to Lucinda Williams - Car Wheels on a Gravel Road - 2 CD "Deluxe Edition" remaster
5. Shelby Lynne - Just a Little Lovin
I have a couple Vangelis cd's that work for me. before I upgraded I didnt find them to stand out however there was a huge improvement when I upgraded to a better setup.
I've had a few standards over the years.

Peter Gabriel's soundtrack for "Last Temptation" has some descending patterns on tuned drums that are a great test of a system's bass response.

Don Dixon's cover of "Cool" from West Side Story on his "Romeo at Juliard" cd has close miked his bass and also features finger snaps that just "hang".

I also like the Shelby Lynne cd for female vocals.

The track "Sista" from the Rachelle Ferrell cd "Individuality(?) combines a well recorded rythm section with well recorded vocals.

Any of the cds from "Eels" or "E" provide taped and live material mixed to contrast the ambience between them. Very revealing. The track "Susan's House" from Eels' "Beautiful Freak" throes in some monster bass lines as a bonus.

A recent addition (for audition) is Lindsey Buckingham's "Under The Skin" cd. The tracks "It Was You" and "Show You How" are recorded to capture the ambience around multiple vocalists - the effect is pretty dramatic on the right system.

Marty