Chopin Fantasie Impromptu, Opus 66

Jax, Just for fun I put the Hewitt back on and I also played the Kissin's Carnagy Hall performance of Chopin Vol 1 which does not have Impromptus 4 but I assume its the same performance/recording session that produced Impromptus 4.

Without commenting on the performance itself, the sound differential was very interesting. The Kissin lower registers were in full bloom (big and warm) and the image was larger and more forward. The Hewlett was more laid back and had more of the highs dominating the image which did appear smaller/more recessed. The highs in the Kissin recording seemed less evident. Completely different recording styles. I think you will love the Kissin.

I guess I'll have to buy Vol 2 to get the Improptus (I assume that is where it is but I'll check). But, as to gain, the highs in the Hewlitt were very close to the same level as the bass in the Kissin. Choice of adjectives, but one might consider the Kissin recording as having more subdued highs and the Hewlett to have more subdued lower frequencies (Studio v Live or Carnagy Hall acoustic?).

But, one must consider that I voiced my system for smooth and clear, but not dominating, highs. Maybe that is the reason for my impression of these two recordings. If you don't hear the sonic's w/Kissin as I described, big, warm, w/out HF emphasis, then we may just be talking about the inadequacies of my system/setup or my aging ears. :-)

I was at an estate sale, and just picked up a sealed Rubinstein/Chopin 8 Polonaises-4 Imprompus RCA Victor Red Seal Dynagroove recording. 2 lp's, I beleive. I think it's from around 1964. I'm not into classical, so this, and 90 Carnegie Hall Library of Classical Music lp's, (all like new), will be listed for sale in a couple weeks, if anyone's interested.

Jax2, I ordered the Kissin recording also. Thought I might as well get Vol 2 as well. FWIW.

Many thanks, Newbee (and all). Newbee, I did not take your original recommendation as one having actually heard the recording so I would not have blamed you either way :-)

FWIW I have a multi-layered version of the disc and am playing in on a Modwright/Sony player (SACD). I am not able to get the CD layer to play on my player (though it does have the layer there) so I brought it over to hear on my friend's system (an outstanding system, BTW), and came away with very similar impressions. Both his and my systems required copious amounts of attenuation at the pre stage. Mine was at 3:30 and his at 2:30 (this is not normal for either system). At the same time I'd brought over a far less lofty piece of piano music to hear on his system and I have to say I'd never heard a piano sound so good coming from a pair of speakers! It was hair raising good! So what I'm saying is that it was definitely not the system that was throwing a poor image. His player is just a CD player so was definitely playing the CD layer on the Hewitt. Interesting observation on the dual-layered discs. A bust in more ways than one for me as it was a relatively expensive disc too. From the standpoint of the performance it was a fine recommendation, and if the CD is better than the dual layer I certainly understand your recommending it. Burn me a copy and I'll burn you a copy and we can see how they vary on our respective systems;-) OK, I'm ordering the Kissin!

Jax 2, I'm sure you are too careful to make the mistake, but lest my comments about my purchase of the Kissin Impromptus 4, it is NOT in Vol 2. It is in a newer/different release.

BTW, I'm still puzzled about the gain differential as well as any sonic differences in general between MC SACD's 2 channel sound played back on a Redbook player vs a regular CD vs a Hybrid CD. I really think something is going on there. Be interesting if someone would feed back on this. I'm too lazy to start a new thread.