$18k Tube preamp for large scale symphonies please

i understand most preamp suggested here are top line and i would be happy with them. i truely value all the suggestions and opinions given forth and especially some seniors whom are very helpful and patience with my queries and uncertainties. i also know there are no best preamp as each has their unique strength at each price points.
i would also like to mention my taste, so members here would understand why i'm still seeking while some of the very very good pre had being offered with its sonics fully described in their best words.. Thanks!
From my experience with Coincident LS and VAC, both are very good.As what Charles had said earlier, CLS is VERY airy, with decays extending into the space around you(fills your whole room) VAC SIG not as airy but more velvet and sweet, dynamics are a hairline lesser than CLS, above qualities heard only if you compare side by side. In bass area, VAC surpass CLS every way,it's further confirm by a review i read that 101D tube is not excellent in lower octave. But the main difference i hear is the dark black quietness from VAC as what Ralph said as IM distortion which give a sense of soundstage (but feels artificial to me because i'm hearing the event that is being played in their environment) whereas CLS has NONE, CLS make you feel the band transported into your room and you're closeup with the band. Now, your taste may prefer otherwise. However,i hope to find a preamp with CLS airyness but with Lesser in the room effect(maybe can be describe as slightly less airyness??) and have bass similar to Aesthetics. Because my music are often Large scale and unless i owns tennis court size room, the orchestral would fill my whole room and seems artificial, whereas small size music eg.jazz band & vocals would fit perfectly. I used these 2 pre to highlight the difference i felt about them and my taste. You may differ, but their characteristics they put across thru different system doesn't change as much, maybe because in high resolution systems. i'm not seeking the best but the right kind of ambience portrayal and organic feel for large scale music, not interested in pre that excel in male/female voices, or other genre. i could have describe more detail about other pre i auditioned and describe my taste in relation to them so you know my preference better but guess would be too long winded, hope some would understand my expression/analogy and offer their views. My dealers here don't carry much tubes for demo even thought they represent many brands, they have mostly SS mainly because lesser after-sales services, one of nicer dealer mentioned.
Thanks guys.
Regards & Happy New Year too!

PHilip,

To be clear...you describe 2 types of delivery: one that delivers the orchestra into your room, and the other that places you into the recording venue. Is this correct?

Which do you prefer? Sorry...could not quite separate out which you were saying. Generally, given that every orchestral/ensemble piece is recorded differently (some closer miked than others)...that 'ambience' effect is going to differ from recording to recording i suspect. Thus, one preamp is going to be difficult to control that particular effect.

Nevertheless, if you could guide as to which you seek, that might help.

Merry Christmas Phillip,
I understand your description of these two superb preamps and getting a feel for how you hear.Phillip one point has to be made though. Some of what you hear is related to the amplifier in use and really, the effects of 'all' the components in the system(personally I find the bass of the CSL natural and not over done).You listened to both of these preamps'but' in different systems.So while I do believe you got a good sense of the individual character in general terms, you`ll have to allow for the other variables.

I`ve owned my Coincident(CSL) for over 3 years.My friend jeff has had his VAC Signature MK II nearly that long also. We live just 10 minutes apart and have heard each other`s systems multiple times and usually long sessions.They both are exceptionally capable of'musicians in your room' and also 'you are in the recording venue'. I find it`s the recording that determines the site perspective more than the different ability of these two preamps IMO.

I find them both to be fascinating in their presentation and most important to me, they`re both utterly natural,emotionally involving(absolutely!) and have very convincing realism.Neither has any of the dreaded analytical,dry,2 -dimensional,flat,lifeless Hifi character.They do superbly preserve the true vibrant color saturation,dynamics,flow and energy of real instruments and voice.

Phillip you have a keen pair of ears and I`m very confident you will find that preamp that satisfies you.This is the beauty of an open market choice for High End audio components,there`s so much out there to choose from to please us individually.The CSL and VAC SIG. certainly represent a very high point of reference,Good Luck Phillip.
Charles,

I listen exclusively to classical music. I love large orchestral, chorale, and opera pieces. I also love sonatas, trios, quartets, etc. I like the large pieces to be "you are there", and the small pieces to be "they are here". Orchestral music benefits for better extension of both high and low frequencies, more clarity, more air, more transparency. Smaller pieces benefit from more harmonics, tonal color, and decay.

With the BAT Rex, I get both, and that is why I haven't serious thought about another preamp. There is a switch in the power module that allows you to go from the 6C45 (transparency and extension) to the 6H30 (harmonics and decay). I use 16 EAT Tube dampers, 2 HiFi gold fuses, 4 Reflektor 6H30 DR NOS tubes, and 2 Philips GZ34 from the 1960s. The rest are inexpensive Sovtek and generic Russian tubes.

Phillip,
Are you considering any solid state preamps as well?
Regards,