Mcintosh C-2300 first impressions


I bought an C2300 from an authorized mac dealer with return rights minus shipping. I have 11 days to listen to it. My current preamp is the Counterpoint SA-5.1 that has had the line and phono stage upgraded by Mike Elliott (the original designer/engineer of Counterpoint gear). Since I use a low output cartridge, I also use the Counterpoint SA-2 in conjuction with the SA-5.1. My amp is the Jadis Defy 7 MKII. What I was hoping to achieve was to retain all of the sound quality of the SA-2/SA-5.1 combo while lowering the noise floor compared to my current phono section (the line section of the SA-5.1 is very quiet).
My initial impression from my first night of listening is that the C2300 has a refined, polite presentation in a button-upped British sort of way with a sweet top end. However, it sounds thin much like a SS preamp sounds and it doesn't have much in the way of a bottom end which can even be heard on acoustic bass. Forget any type of wowie-zowie bass punch with this preamp. Voices also don't sound as real as my current preamp. And these listening impressions come from listening to LPs, CDs, and 15 ips 2 track tape. I guess if I didn't know any better I could be happy with this preamp, but unless things improve soon it will be going back.
For those of you who own and love the C-2300, I would love to know what preamp it replaced in your system. I love all of the creature comforts this preamp has to offer with 8 inputs, 4 sets of balanced inputs, a cool remote, etc. I do think it is a bit garish looking in person with different shades of green lights as well as blue. If this preamp doesn't start fleshing out more of the music, it will be going back. And please don't tell me that it takes magic Telefunken 12AX7s to make this preamp come alive. I have heard mixed reviews with some owners not liking the Telefunkens at all and actually preferring the Mcintosh selected 12AX7s while others who are hooked on Telefunkens of course swear by the improvement they expected to hear.

Mark
mepearson
Ah, sounds like the new tubes Mac installed needed to settle in. Please keep us updated during the process. This pre is a consideration as a mate to my McIntosh MC2102 amp, but I will say that some Macophiles @ Audiokarma have echoed your concerns in finding that the SS preamps such as the C46 counterintuitively sounded warmer and more fleshed out with better bass.

The smooth plate Tele is a touch warmer than the ribbed plate. I prefer the ribbed plate.
It does not matter if they are Tele's, Mullards, or any NOS tube will probably be a noticible improvement. It is all about voicing to your tastes. The Tele's are pretty neutral. They are very easy to like for the most part. I like them.
If your interested in saving some money ,a really good new production 12AX7... is the reissue Tung-Sol gold pin..

Excellent tone..has a big, warm and musical sound..very low microphonics...

Perhaps not quite up to the standards set by NOS Tele's,etc... but for a lot less you can do WAY better than the stock Chinese tubes.
When I re-read my initial post, I don't feel so bad. The C2300 has done something that no other preamp in my experience has ever done, and that is a wholesale change in sound quality over a period of 24 hours. All of things that I was complaining about disappeared in such a short period of time that I was and am astonished. And the good news is that I didn't need NOS tubes to change the sound of this preamp-I just needed break-in time. At some point I will still experiment with NOS tubes due to the very strong feelings that other posters have on the further positive impact it will have to the sonics of the 2300. If true, that would be really great.

As for the stock tubes, they are very quiet, the top end is sweet and extended, the bass is really good as is the midrange. The C2300 is a very quiet preamp. You can clearly hear the difference between the absolute noise floor of your LP playback system vice the noise floor of the actual LP you are playing. Before a song starts, you are hearing your absolute noise floor. Once the song starts, you are now hearing any noise associated with the actual recording. For instance, on LPs that are sourced from tape, you can hear the very gentle tape hiss as the song begins. On good quality LPs, this very low level hiss stands in sharp contrast to the almost sound of silence of the actual LP. Pretty cool.