Benefit of low output moving-iron Grado ?


Hi all,
I'm considering a cartridge upgrade from a high output (5mv) Grado Sonata cartridge to a moving-iron Grado Master cartridge, either a low output (.5mv) or a high output (5mv). If I choose the low output version, I would have to drop an additional $250 on a phono card for my Exposure amp, whereas I've already got the high output phono card installed.
So my question is....
a) is there a sonic improvement in low output cartridges, or is it more a matter of taste
b) I hear a kind of "shrillness" when vocalists use an "s", and with other very high frequency sounds.... is this shrillness reduced by using a low output cartridge?
c) does Grado's moving-iron type of cartridge have properties unlike moving magnet or moving coil that might be relevant to the other questions I raised?
Thanks in advance, and I always appreciate this forum.
nickyt
You don't get hum if set up right. If you have a Rega, you might get hum because the motor is not grounded. Easy enough to fix.
Not sure what loading is... or if my phono card is capable of being set to different loads (if loading takes place in the phono stage, that is). Could someone inform... thanks
Cartridge loading is the act of putting a resistance (sometimes, a capacitor and a resistance) in parallel with the cartridge, such that the cartridge is driving the load.

We provided a cartridge loading strip on the back of our preamp for this purpose. Some preamps employ a second RCA connection in parallel with the input- you put the resistor on an RCA connector and plug it in.

Other preamps have a switch with preset loading positions. Still others use tiny little jacks mounted to the circuit board in the preamp.

Some phono preamps have no provision. Then you have to come up with something to make the connection.
Nickyt, i was asking myself the same question you are. i am also considering moving up cart ladder from reference sonata. because i love my ref. sonata i have decided not to open the can of worms that i anticipated moving to LO versions of grado. i am not looking for a bank account draining system changing headache just incremental improvement in detail, bass tautness, and isolation of instruments when things get cooking. with those changes in mind and loving what I have and im sticking with grado for now and see nothing wrong in your case or mine of putting that master on your similar priced table. a totl statement would be another story obviously. one thing id like to add is before i purchased my speakers i auditioned the vand sig2s and thought they were not for me. too polite, warm and paired with grado might be too much of a good thing depending on other gear and what your looking for. so i might suggest a similar priced HO moving coil(dyna 10x5?)to what youd pay for a master. that paired with the inexpensive mc phono board could yield great results with all other system synergy being equal.