Also,I'll bet you have not been a reviewer too long.Am I also correct in assuming you do not review for TAS or Stereophile?You don't seem to be as in love with yourself as some(a few guys from that crowd are quite decent fellows,a FEW).Would you believe that some time ago I was at the home of one such chap,who after continually bloviating about how much I should love his stuff,and TELLING me what I must NOT buy(I did anyway, thankfully),then proceeded to Blast the "Has to be bright and crappy sounding"set-up of a dear friend of mine(also an audio journalist,and one of the nicest people you would ever want to meet).Here, this yutz had never heard the set-up in question,and,although the system he had was good,it could not touch my pal's rig.Living in the NY/NJ area and attending various audio gatherings,over a number of years,this scenario has played itself out to me on quite a few occassions.I have nothing against industry types,and,according to my lovely wife,am quite a nut myself,but pomposity,to me ,is really annoying.Especially when those that think they do,Don't.Also, please accept my own apology, in advance,for my own bloviating.
Kharma 3.2 to MidiGrand Upgade???
Anyone have experience in upgrading from the 3.2 CRM enigma to the Midi Grand Ceramiques w enigma?
What improvements/benefits can be had and you've experienced? Very interested in what is possible with low powered tube amps, specifically Lamm ML2.1's etc.
On paper the Midis are more efficient. Are they easier to drive than the 3.2's or does their impedance dip more significantly than with the 2 ways? Also interested in feedback regarding room size, bass integration, etc.
I'm interested also in any comments regarding the new ceramique sub and if its necessary / integrates well with the midis. I am seeking to be able to reach realistic symphonic levels with content loaded classical music and heavy electronica.
What improvements/benefits can be had and you've experienced? Very interested in what is possible with low powered tube amps, specifically Lamm ML2.1's etc.
On paper the Midis are more efficient. Are they easier to drive than the 3.2's or does their impedance dip more significantly than with the 2 ways? Also interested in feedback regarding room size, bass integration, etc.
I'm interested also in any comments regarding the new ceramique sub and if its necessary / integrates well with the midis. I am seeking to be able to reach realistic symphonic levels with content loaded classical music and heavy electronica.
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- 54 posts total
- 54 posts total