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Any WARM, MUSICAL speakers out there?

I have been auditioning a number of speakers in the under $12k category, and I am frustrated at the almost total absence of any "warm", "musical" speakers out there. They are almost entirely the so-called "accurate" or "analytical" variety. Example, to my ears anyway: the Wilson Sophia. Very accurate, analytical, COLD and non-engaging, even through CJ tube gear. One would think that some of the CJ warmth and musicality would have come through, but the Sophia did not alow ANY of that!
I would like to find a musically engaging, warm speaker that does an excellent job with human voices and midrange detail, as the Cremonas do. I will be pairing the new speakers with Conrad Johnson tube electronics. (Yes, they are lush and warm, but that is what I like!)
The ONLY ones providing the warm musicality I seek that I have found are the Sonus Fabers, such as the Cremona. I found the midrange and uppers magical and musically involving.
However, they are not good at rock and roll. Electrostats such as Quads are even worse in that regard. As Sam Tellig pointed out, they (Quads) do NOT rock.

Note: There are no Legacy dealers (for the Focus 20/20) anywhere near me, and the Klipschorn so-called dealer near me only had two of the very smallest models available for audition.

My only two remaining ideas I have are Silverline (as in Sonatas or the new Bolero) and Vienna Acoustics, such as the Mahler or Strauss.However, the Vienna dealer only carries solid state electronics, and I want to hear them through tubes. Does anyone think that either of these might fit the bill?
In his review of the Sonus Faber Cremona in the Aug/Sept. 2003 issue of The Absolute Sound, Wayne Garcia writes,
"...It is one of the few full-range speakers from the non-analytical school (particularly those under ten grand) that I would even mention in the same breath as MartinLogan or Quad." (p.75 of TAS)
Does anyone know what the other "few" might be????!!!
Any ideas?

Thanks
Steve
bigpowerballs
stehno
1,453 posts
 
Perhaps a pair of Vandersteen Model 5's would suit your needs? Or how about the Von Schwiekert VR-4 Gen III se's?

I'm guessing about the speakers. But then I would also guess that if you were to focus first and foremost on the source, pre, amp, cabling, and line-conditioning there is problably a plethora of speakers that will more than satisfy your desires.

But then again, I could be wrong.

-IMO
mgottlieb
334 posts
 
Hi. I was auditioning a digital component at a dealer recently, and he played it through Classe components and a pair of smallish Dali floorstanding speakers. The sound was extraordinarily warm and rich. You might see if anyone near you carries Dali. I have no idea what they would sound like through tube electronics.
marakanetz's avatar
marakanetz
5,473 posts
 
I second to model 5 Vandy. They have powered subs so need no powerfull amplification and very musical however they're not goot at rock'n'roll either. They best in large orchestras perhaps the best in the range.
Another line I suggest trying used is JM Lab Utopia(whichever is affordable) but they will need much more power than Vandys. Less likely they will mate with tube electronics since their impedance dips down to 2.6 Ohms. Great with Pass X600, X250, Plinius SA250, McCormack DNA2.5.
aboldor
49 posts
 
Which SF models have you auditioned? The Extremas and Amatis should have better "punch" than the Cremonas.
Another model I would consider is Meadowlark's Blue Heron.
Needless to say, the rest of the system will also have a great influence => try to audition at home or at least with gear that you own.
Good luck. Let us know how it turns out.
tok20000's avatar
tok20000
608 posts
 
Speaker tone be it WARM, COLD, MUSICAL, DRY, SWEET, etc... I find has a lot more to do with the electronics driving the speaker than anything else. Especially the SOURCE. Sources have a HUGE impact on the tonal character of a system. Speakers ultimately are supposed to be accurate with a little distortion as possible. Tone is also effected by cable choices (AC cords, IC, and SC). Even room accoustics can seriously affect the tonal qualities of a speaker.

This being said, I have the Vienna Mahlers as a reference speakers. They are a great speaker IF you have the patience to use the right amp with them AND to set them up properly. The Mahlers are a speaker that have a very difficult bass to control. They also are a bitch to set up. When I got mine around 2 years ago, I damn near cried at how bad they initially sounded in my room. It was pretty depressing. However, with a lot of work and proper system matching, the Mahlers midrange are about as good as box speakers get. Their overall tonal balance is hard to beat. But I do warn you, if you buy the Mahlers, you are in for some serious work if you want to maximize their performance.

KF
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