2. digital
  3. 1398132150

Absolute top tier DAC for standard res Redbook CD

Hi All.

Putting together a reference level system.
My Source is predominantly standard 16/44 played from a MacMini using iTunes and Amarra. Some of my music is purchased from iTunes and the rest is ripped from standard CD's.
For my tastes in music, my high def catalogues are still limited; so Redbook 16/44 will be my primary source for quite some time.

I'm not spending DCS or MSB money. But $15-20k retail is not out of the question.

Upsampling vs non-upsampling?
USB input vs SPDIF?

All opinions welcome.

And I know I need to hear them, but getting these ultra $$$ DAC's into your house for an audition ain't easy.

Looking for musical, emotional, engaging, accurate , with great dimension. Not looking for analytical and sterile.
mattnshilp
mattnshilp OP
917 posts
 
If cost were no object I would have an acoustically perfect concert hall in my home and live performances day and night. ;)
erikminer
433 posts
 
Cost no object ? Purpose built acoustically and aesthetically perfect room.
kana813
956 posts
 
Erikminer,

You have a very nice room that could benefit from some treatments other than the RoomTunes Tuning Products.

Check out:

http://www.vicousticusa.com/VN/Musicbroadcast/ProdutoInfo.asp?Id=49
mattnshilp OP
917 posts
 
Interesting UPDATE:

I was approached by the owner of APL HiFi, Alex Peychev, and offered an audition of his DSD-S. This is an $8K DAC, all hand built with lots of high end doo dads, gizmos and proprietary thingamabobs that we audiophiles love to have in our gear! Relatively boutique line so not super well known. Both PCM and DSD compatable. Feel free to do a google search to learn more about it, it has very impressive specs.

I'll post my update/review when I get it in and give it a listen.

Wednesday is soon approaching for my ODSE vs DS battle. I'll keep you posted. The DS is steeping and the ODSE is resting up for the big fight.
schussor
15 posts
 
The problem is that an orchestra is not the funnest thing to coordinate and you are less likely to get the world class performers you want into your hall. Besides, musicians tend to not like being called up to play unfamiliar pieces at odd hours. On the other hand they do not like playing the same thing over and again either.
More to discover