The High End and Glubglub


The High End has had many arguments in which certain types of equipment were and are considered inherently inferior for a variety of reasons: among these the single-ended tube amps which were dismissed by many, single-driver speakers, the ever-popular idler-wheel drives which I espouse, let's not forget tube amps which were practically universally dismissed in the late 60s and through the 70s, and so on. So what was going on in these varoious and ongoing debates? I sumbmit for your perusal the following gem I found in a discussion of logic: "What he (the skeptic) wants it is logically impossible to supply. But doesn't the logical impossibility of the skeptic's demand defeat his cause? If he raises a logically impossible demand, can we be expected to fulfill it? He says we have no evidence, but whatever we adduce he refuses to count as evidence. At least we know what we would count as evidence, and we show him what it is. But he only shakes his head and says it isn't evidence. But then surely he is using the word "evidence" in a very peculiar way (a meaningless way?), so that nothing whatever would count as a case of it...Might he not just as well say, "There is no glubglub?""
johnnantais
The problem with any movement is that eventually it will seek to identify itself as the in group with god or logic on its side and to demonize all others. IMO, replacing one "movement" with another is not the answer.
IMO, the answer is to realize that every ear hears music differently. I get
tired of seeing these little movements and efforts to create "in groups."
Vinyl versus digital, tube versus solid state, measurement versus golden
ears, etc. There was a couple of weeks awhile ago where I saw repeated references to "those who listen to music" versus "those who listen to their systems." IMO, this is all very human, but also very silly. We are talking about the enjoyment of music. The message I get from the
measurement movement isn't that it was the wrong movement, it is that
there should always be a variety of approaches to this hobby and those
within it would do well to express all of their passion, while practicing tolerance. Just my opinion.
What you say is true about people identifying with movements, but we do not live in a vacuum, and movements surround us all the time and at every level: they are just so pervasive we do not see them. Science is a movement which started with Bacon, Galileo & co., but it can be taken too far. Capitalism is a movement, as is democracy and so on...it is the human condition. But new movements bring with them new ideas. Was not the American revival of the Greek idea of democracy called The Great Experiment? Russian Communism was also a movement and an experiment. Our hobby itself is a movement. No getting away from it, as you say, the human condition. In audio we are living in all sorts of movements, and the measurement camp is still very much alive, and does pervade it at various levels and in various ways. It's not all so innocent, as we are often persuaded by our peers and the media into bad decisions, which we then justify in various ways, while being musically unfulfilled (this has economic consequences as well). Movements are necessary, and affect philosophy, how we choose equipment, and design. They also teach us what is possible: one of the first "audiophile" experiences is the discovery that two-channel stereo creates an "image". New movements may, no make that "will", reveal things we do not yet know which will improve future designs for our musical edification. Empirical science was such a movement. Narrowness of thought reduces choice.
Anyone with a healthy dose of skepticism who ignores "experts," movements, peer pressure, prevailing "wisdom" -- who trusts his/her
own ears, likes what he/she likes, and votes with his/her own pocketbook will be okay in this hobby. And -- those are also generally
the types of individuals who develop new ideas.