Proper Use of Record Research Lab Cleaners


The directions on Super Vinyl Wash say to "apply SVW with soft applicator brush to fully wet record". I'm not sure how to start off with a fully wet record. Should I be dipping it in DI water? How do you do it? Thanks, Peter
peter_s
I, too, use the paint pad brushes that Brian mentions in conjunction with the Groovmaster (see E-bay) for washing filthy garage sale LP's in the sink prior to VPI cleansing. They work really well and are almost exactly as wide as the grooved area.
David
Thanks Brian. It's great to have your help here. Maybe I'll order 15K bottles right now and help you clear out those old labels!

Thanks to 4yanx I already use the white painting pad sponge/brushes you mentioned, a seperate one for each solution. Walmart sells Rubbermaid brand ones with replaceable pads. Good tip about saturating the whole surface to avoid scratching. I suppose the Last brushes must be even better. No thick sponge to absorb tons of liquid and hold onto contaminants.

I confess it didn't occur to me to open/close the flip tops other than by fingertip. I am ashamed...
Hi Doug,

Thanks for the info on the Rubbermaid paint pads. I'll check them out later today. Garth Leerer, my distributor, always wanted me to sell an application brush. I just couldn't see re-inventing the wheel. There are so many household and hardware based products out there that work very well.

Remember to always keep your brushes in a container of some sort, so that the brushes aren't exposed to dust and other contaminates. Keep those vacuum tubes clean, too. Rinse them off every 3 to 4 cleanings, or as needed. Keep an old ruined record sitting on your record cleaning machine while not in use to help keep the record contact area dust/contaminate free.

Oops, I almost forgot. I'll process your order immediately, Doug. Which shipping company do you prefer?

Brian Weitzel
RRL

I'm not sure the Rubbermaid pads are ideal for RRL fluids, they do hold alot of liquid. Bare nylon or carbon fiber bristles with no sponge would be best I think. Easier to clean. I'm going to try the Last brushes David uses. Let us know if you decide to offer something.

I do keep the cleaning stuff containered after it dries out. One problem with the Rubbermaid pads is that the metal back to the sponge rusts if left wet. Iron oxide particulates scrub vinyl really clean, right?

For that big delivery, how about driving over in a limo with a Walker Proscenium installed in the back? You should still have enough torque to tow a U-Haul trailer.

Cheers
First, as an aside to Doug: As a writer and sometime English professor, I loved your post regarding the wording of the RRL instructions--one of my favorite yet on Audiogon. Nice to see that some folks here pay attention to language as well as to our systems!

I've been following the various cleaning threads in this forum for some time. The 16.5 I bought used 5 months ago came with some DD brushes and fluids; I've been using both by default, and rinsing with the dreaded grocery-store distilled water (in fact, I've tended to do anywhere from 3-5 rinse passes, since after the first two rinses I'm often still lifting suds with the vacuum tube). I've noticed that sometimes all my cleaning and rinsing has really improved the surface noise of certain LPs, but other times hasn't done much with others. (Recently I even made some pre- and post-cleaning recordings on CD-R to see what kinds of surface noise improvements I was getting.) So I think I'll be trying some RRL fluids soon too.

I came into this hobby via the software route, and was at first suspicious about cleaning LPs with a vacuum machine; the 16.5 and my own odd method have already turned me into a believer. If the RRL fluids are as big an improvement over others as David suggests, I think I'm in for a real treat (now I just need to upgrade my entire analog front-end!).

Joshua