Entreq Silver Tellus grounding/earthing system


Hi A'goners, I'd like to tell you all a little about this component which has taken noise elimination in my system to a whole new level.
I run a Trans Fi Salvation/Terminator tt/arm, ESCCo modded Zu 103 cart into a Tom Evans Audio Design Groove Plus SRX phono, Emm Labs CDSA SE, Hovland HP200/Radia pre/pow, and Zu Definitions Mk4 spkrs. This set up is (now) effortlessly dynamic and transparent.
I live in a semi industrial area with broadband on in every apartment, internet booster stations and light engineering nearby.
It became apparent some years ago that apart from the hours of midnight to 5am, I could not rely on a good sound, and research led to conclusion that mains borne noise was likely the culprit.
This led to my first partial success, the installation of the Burmester 948 mains conditioner/filter 7 years ago. This resulted in an immediate reduction in noise and increase in transparency/delicacy ie a major improvement, even in daylight hours. BUT it became apparent over time that dynamics were seriously pinched, and the conclusion I've correctly drawn is that peak current demand was restricted by the unit compromising the power amp output.
This led to my next upgrade, and now real progress: an 8kVA pro studio Westwick 8K balanced power transformer. Now I got all the previous improvements with no current restrictions to the power amp - transparency AND NOW dynamics in spades.
But as with all things audio, the awareness of the Entreq grounding/earthing system piqued my interest further in eliminating mains issues. Entreq are a Swedish audio engineering company with a couple of decades experience, and provide a variety of mains and interconnect products.
The Entreq Silver Tellus is a wooden box, the size and weight of a small power amp. It contains inert minerals and a grounding plate. It's a passive device ie NOT powered from the mains, and sits adjacent to the system. In my system, one Apollo Eartha interconnect runs from one of 4 terminals on the back of the Tellus, to an unused input of my preamp. It is possible to connect another 3 components to a single Tellus.
In effect, it provides an ADDITIONAL earth/ground to the system, NOT replacing the existing protective earth. This then provides an uninterrupted drain for RF/EMI/other hash from the system to the Tellus.
I was expecting a minor improvement at most. What I wasn't expecting was a transformation of the system.
Firstly, soundstage deepens dramatically, so much so that the stage seems totally independent of the spkrs. Phenomenal reduction in noise really enhances the blackness between notes, and brings micro detail to the fore. This reduction in noise has the amazing side benefit of relegating vinyl surface noise way into the background. The overall effect is a fantastic increase in dynamics and transparency, taking what balanced power brings to the party and sending it off the scale.
Vitally, the nature of the system sound hasn't changed, since the Silver Tellus enhances performance, doesn't change it; in many ways is the best system wide upgrade to optimise performance I could make.
My conclusion from the last 7 years is that noise is the major limiting factor in my system, and the installation of Westwick 8k balanced power ($7000) and Entreq Silver Tellus/ Apollo Eartha grounding/earthing ($3000) has led to improvements that even a total overhaul of the system and buying new at 5x the cost could not surpass.
If anyone is getting frustrated with their system, address the mains first before you go down the merry-go-round of endless component upgrades.
In the UK, Kog Audio are the go-to guys for Entreq. I have no affiliation, just an extremely content audiophile, now so much closer to the end point on improving my system.
spiritofmusic
Hi Msom. Revealing is the word. On a par with my move to balanced power, both really complement each other. However unlike you I didn't perceive an improvement with the Apollo Eartha i/c to the earth of my phono. Just switched to a Straingauge cart, so will try the ground on the SG200 energiser box to see if analog worth pursuing with.
Hi Spirit,

Actually, I didn't get much of an improvement by connecting the phono amp (Clearaudio Reference) to the Entreq Tellus (or Entreq Minimus - I've got two of those).

I got a great result by connecting the TURNTABLE ground to the Tellus. It's a Well Tempered Amadeus, 1st model, with a sturdy ground point separated from the signal outputs. I believe that by having the source signal already grounded through the preamp, connecting the phono to the Entreq units might have been overkill. And, of course, the preamp works as the central link between source and amplifier (which is why the Primary Earth plug on the Quantum QB8 is reserved for it).
Speaking of which, I'm experimenting now with four QV2 Quantum units, with interesting results...
By the way, the Straingauges seem to be a truly unique design- just checked the site for the first time.
Msom, I'm struggling to find where to attach any Eartha cable to my tt - I have direct cart-phono stage silver cabling, with no tonearm cable jacks, so this may be a blind alley for me. But there may be an interesting solution.
Next port of call will be a balanced Eartha btwn cd player and Tellus.
Tell me more re your QV2's.
Hi,

Direct cart-phono stage cabling is a very nice touch. It does seem that you have no Ertha option for your tt/arm, unless you consider the metal area of both? But that would be grounding chassis and not signal. I make the distinction because my phono stage allows for separate signal PCB ground / chassis ground, which made for an incredible difference when experimenting with the Entreq solutions.

I found the Quantum QV2s positive enough to invest in a set of four. There's a story to it, of course: the Quantum Qbase literature advises connecting sources first and amplifier last, when it comes to equipment hierarchy in the powerblock. Your preamp stays the middle of the strip, plugged to the "Primary Earth" outlet. It's a subject I've been aware of for some time, and I don't consider it a minor detail. When I first auditioned a single QV2, I was following the Qbase's equipment order instructions. I feel that "sources first" gives great detail and midband firmness, when you are handling a quality recording, but frequency extremes and flow are more restricted, as is the music's freedom from the speakers physical bulk, and it's even more noticeable when you listen to average pressings or recordings. I didn't like the QV2 then; it was pleasant, but sounded more like an "enhancement" than actual pure mains deliverance.
Sometime after that, I tried placing the power demanding components first on the QBase, by order of current demand, and the lighter loads after. (By "first" I mean the QBase outlets closer to the mains cable plugged to the wall socket, you get the idea). This improved things, as far as I'm concerned. Better tonal delivery, easier, wider dynamic soundstage, sound beyond the boxes. So, when I tried the Quantum QV2s in THAT amp first configuration, they really let go and flew. More dimension, more detail everywhere, more reality - it was helping rather than adding. I'm still experimenting with Qbase's QV2/equipment positioning - I've got the 8 outlet model, 4 QV2s and 4 pieces of equipment. But so far, my money's on the counter.