Early digital recordings on vinyl vs. CD?

Some of my best sounding LPs are from digital masters as well so I totally agree with Doug. Vinyl playback just does the source more justice than digital playback.

Some digital Vinyl is indeed good but when I see one of those, I look first for a
CD for that title. Sounding good in vinyl also sounds good with the silver disc
(those who do that mastering and know how to do it, can't ruin the digital
process). Most of the Dire Straits vinyl for example is digital and it
sounds good. But when you go back to their first cuts on Vinyl, you can hear the
difference at once (maybe it is System dependent, but generally it is the way it
is), the musical flow is different.
Neil Young once said, listening to digital is like having a shower with thousands
of tiny ice cubes, listening to vinyl is having the shower with water. I don't make
a religion out of it, but when only digital mastering is available, I go for CD.

Telarc is famous for early digital classical...but most of the majors such as RCA, EMI, Denon, etc were releasing digital recordings during this era pre cd....as with most audiophile classical...they incorporated the best equipment at the time...and these are readily available for cheap at most thrift, lp shops....

The early Telarc digital recordings on vinyl are outstanding
Alan

What exactly was Neil Young comparing? Source tapes? MP3s? CDs? Without knowing what he was talking about his remark was cute but meaningless. If he thought he was describing *all* digital, he was just wrong.

With regard to Dire Straits, I agree that their digitally recorded LP's sound like ice cubes vs. water, but that's not true of classical recordings from the late 70's and early 80's. Whatever mistakes Dire Staits and their studio made were not made in those studios. Every such LP I own sounds better than the same recording on CD.

Note to Toronto416:
The complex harmonics of early/Baroque instrument recordings present a fierce challenge for a vinyl setup. In fact, they're one of my acid tests and most components fail.

It took my partner and me years of work and not a little cash to get a rig and phono stage that could reproduce baroque instruments decently. Beware, if those instruments sound strident or squawky on vinyl compared to the CD it's not the fault of the vinyl. It's the fault of the vinyl playback system. Be prepared for some hard work, but once you get there it's worth it.

At Easter I played Hogwood's rendition of Handel's 'Messiah', a digital recording on six LP sides. The tears were streaming down my face, but not from any problem with the sonics! ;)