Mitch Singerman EAR 834p mod


I see a lot posted about this mod but I really don't see any posts about the sound after the mod. How does the level 1 mod sound? What is different from stock, sound wise (I have read what he does to the unit but not what the mod does for the sound) Does it help the step up M/C section also? Is it really broken in at 100 hrs. Is level 2 worth the money? Any other info would be appreciated. Thanks.
(using the EAR with a VPI Classic with a AT 33ev cartridge)
frano
Frogman, Thanks for the description. That is the info I was looking for. Question, was that description for level 1 or level 2 or both or beyond? I was looking at the level 1 which is quoted at $250 and maybe the level 2, which is another $125, according to the website.
Lloydc, with all due respect, what does your response have to do with the OP's question? For someone who already owns the 834P as the OP does, and likes the basic character of the unit, an additional $375 investment for mods that have received an awful lot of attention, and substantially improve an already very good unit is a no-brainer IMO. But regardless, I'll play: I think a realistic RESALE price for an 834P (non-deluxe) is probably around $900 + $375 or so for the mods. For that kind of money (not $3300), I can't think of anything that I would rather listen to. As to the EAR's sound, I don't know what you consider to be accurate or euphonious, but clearly we have very different notions of what those are

Frano, you are welcome. I had the Level 2 mods done; well worth the extra $125.
Salectric, there is the Affordable Audio website, which I read is Mitch Signerman's business. It doesn't give a lot of detail but does tell you what he does for his mod.
Frogman, fair enough, I did not address the OP's question directly. I inferred that the OP was trying to make a decision on whether to do the mods, so I shared an opinion based on my own decision to go another direction. I used retail prices for illustrative purposes, but my thought was that if you have c. $1200 - $1500 to spend, you have many choices on Audiogon, many of which may greatly exceed the potential of a modded 834P. When I had an 834P and was considering the upgrades, I bought an AR PH-3 SE which had been upgraded by Great Northern (for $1250 – 1500, cannot recall exactly), on Audiogon. A bargain, perhaps, but similar in price to the ballpark figures you suggest (i.e., an 834P with upgrades, but not including serious power supply upgrades; I sold my 834P Deluxe on the Gon for $875.) The AR is vastly superior in every way to a stock 834P, and really opened my eyes to what I had been missing. I have not heard a modded 834P, but I talked to Mitch, and have no doubt that his mods improve the stock 834P (but I recall that including power supply mods would cost considerably more than $300.) I have been in the OP’s shoes, and am very glad I didn’t get the 834P mods done, so I am trying to convey that experience to the OP.
Lloydc, thanks for your comments re your experiences with the two phono stages. I know your comments were meant to be helpful, but I guess it's a pet peeve of mine that oftentimes a OP asks a question that relate only to a specific item and and then receives suggestions about some other item that is supposedly better.

Having said that, and going back to the EAR vs. The AR: I know the AR PH-3SE; a cousin owns it and I have listened to it in my system as well as his. It is a very good phono stage. As usual it comes down to system synergy and personal preference. I disagree that the AR is "vastly superior in every
way" to the EAR. Not in my system and not according to my priorities. I think that for me it comes down to the fact that the EAR is a pure tube design, and the AR is a hybrid. I like the AR very much, but I definitely hear the influence of the FET's in the signal path. While arguably somewhat more detailed than the EAR, to my ears it is also a little bleached sounding compared to the EAR. While some will say that the EAR is tubey or even mushy sounding, I hear more of acoustic music's natural tone colors through it; as opposed to everything having a drier, grayish color, something that is particularly objectionable to me. Also, and certainly not least in my system's case, the EAR has much more gain that the AR, which allows me to eliminate the line stage and use a high-quality passive pre for a significant improvement in the area of detail and purity, without the common criticisms of passives (the subject of a different discussion).

Regards.