Are linear tracking arms better than pivoted arms?


My answer to this question is yes. Linear tracking arms trace the record exactly the way it was cut. Pivoted arms generally have two null points across the record and they are the only two points the geometry is correct. All other points on the record have a degree of error with pivoted arms. Linear tracking arms don't need anti-skating like pivoted arms do which is another plus for them.

Linear tracking arms take more skill to set up initially, but I feel they reward the owner with superior sound quality. I have owned and used a variety of pivoted arms over the years, but I feel that my ET-2 is superior sounding to all of them. You can set up a pivoted arm incorrectly and it will still play music. Linear tracking arms pretty much force you to have everything correct or else they will not play. Are they worth the fuss? I think so.
mepearson
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I haven't gone through and read all the posts so I might have missed some similar thoughts and sounding repetitive. In theory a linear tracker simulate the tangency of the record cutter but one must remember a cutter is an ACTIVE device, it forces a straight line across the record in order to cut a record but a linear tracking arm is a PASSIVE device that is tracking in the mercy of the record groove with its angles and turns! In real world tracking, most center holes on records are not absolutely centered, very often few millimeters off! Bam, there goes tangency out the window.

As one commenter points out tangency is based on the cantilever - shape of the stylus tip too if you want to be anal about it - in relation to the groove NOT the arm. Bear in mind the cantilever is attached to rubber, hence a compliant system! So imagine the cantilever is constantly navigating with side force of the off center record thrusting it laterally banging on left and right and you tell me if that's perfect tangency or not! Of course the perfect table for a linear tracking arm to work on would be something like the Nakamichi Dragon or TX1000 that self corrects off center record hole but how many people have a table like that?

I think the reason people prefer the sound of linear tracker over pivot arm is that tracking error is still lower than many pivot arms, especially the shorter one that's not optimized in overhang and anti-skating adjustment. I don't have problem with people preferring linear tracker over pivot but just don't be so militant about it and keep insist on telling me linear trackers have perfect tangency! It does not! It's still a compromise and so is life. To me all the fiddling is distracting me from playing record but your mileage may vary of course.

I mean, just think about it, a stylus is attached to a cantilever and then attached to rubber and then attach to an arm and then attach to a counterweight all the way at the end and you expect the geometry to be perfectly tangent through out playing one side of a record for 20 minutes straight? We know how dramatic the overhang is off by one millimeter can sound with pivot arms so imagine a record with a one millimeter off-centered hole, not uncommon, played with a linear tracker. Perfect tangency? NOT!

Anyway, I used to have problem with servo pseuso-linear tracking arms because the obvious objection to the constant self correcting nature of its design but crabbing across the record with tiny arcs but I have since come to appreciate it more because it's much less stressful on the cantilever and stylus and navigate the groove much easier in REAL WORLD situation. It's really a pivot arm with a uni-directional gliding base, if that helps the mental picture. (uni-direction in typical designs not counting Pioneer's PL-L1000 bi-directional arm) The problem with the sound of many servo design is not the concept but the execution and many don't use good bearings and if look at it as a pivot arm it's no where near the quality of top notch arms like the Graham, Triaplanar, SME V, etc... I have a Yamaha PX-2 and it works wonderfully and it's better than many servo arm in its mechanical quality. Of course not in the league of top notch pivot arms but the lessening of tracking error (not perfect tangency) does pay dividend. So I hope in the future, someone can design a "servo tonearm mounting base" that allows one to mount any pivot arm that can servo control the base's lateral movement to lessen tracking distortion (lessen not eliminate) Wouldn't that be something cool? Hell, if I mount a 12" arm on such device the tracking error would be so low to not even worry about such a thing!

I forgot the mention another solution such as the Thales arm that is a combination of pivot and linear tracker by self adjust to tangency in a PASSIVE system. Very clever indeed. But the only problem I can think of is that by adding another pivot right above the cartridge might affect the structural integral of the arm and having extra linkage might hinder its fluid movement. Again, nothing is perfect but I can at least appreciate the innovation. Bravo!

Speaking of 12", I honestly thing a 12" arm makes sense unless you are in the rigidity is everything crowd. There's no perfect arm and I can accept that just like life and a well desing 12" seems to be a good compromise.

At the end of the day, I just want to play some tunes and not worry about whether the damn needle is tangent or not. That's it for now.

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Cutting lathe/cutting head can not be compared to a linear tonearm at all.
A cutting head is not tracking a groove.
It is engraving it into a virgin vinyl. Thats why its active. It doesn't care for the groove margin - it literally creates it.

There are 12" tonearms out there which do feature a rigidity in both their armpipe and bearing which is the equal to the very best 9 and 10" tonearms.

Deronarm: "Cutting lathe/cutting head can not be compared to a linear tonearm at all. A cutting head is not tracking a groove. It is engraving it into a virgin vinyl. That's why it's active. It doesn't care for the groove margin - it literally creates it."

That's exactly the point!!
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By the way, I just read through more posts by Dertonarm and really appreciate your insight from the point of view of both design and operation. It's refreshing to read pieces that are not constantly going back to the same old pornographic sonic analysis like audio magazines. Hats off to you.
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It may be interesting to factor in an arm's versatility with respect to navigating anomalous off-center and warped records. However at SOTA the question is always about the best of all possible worlds. It is therefore reasonable to ask which design is better assuming a physically "perfect" record? In any case for this crowd a second pivot arm like a 4-wheel drive vehicle is probably within reach to handle the occasional blizzard. A relatively small percentage of my LPs are flawed w/r to warpage or eccentricity. Assuming a decent biscuit, I am won over by the relatively superior tangency of the linear arm and the low-resonance achievable with a very short wand as available in certain linear designs. With a low-resonance short wand(as distinguished from degree of rigidity) all bets are off. Could anyone who has used a 1"-2" wand comment on their experience?