I'm taking a poll...


Vote for A, B, or C---

Assuming all other turntable set-up parameters are dialed-in, optimum vinyl playback is achieved when:

A. You set the tonearm at level and leave it there.
B. You use your ears and adjust the VTA incrementally up or down.
C. You get the stylus to ride in the groove at a 2 degree angle forward, to match the assumed angle of the cutting stylus.
will_herrera
Dear Will: I already read your last three threads on the same subject ( how to obtain better cartridge quality performance. ) and I can see that you are " nuts " about the SRA/VTA/VTF subject.

There is no doubt that the most critical parameter between VTA and SRA ones is the SRA a parameter that for many people is unknow or mix up with VTA.

But that is not IMHO the the real subject but how achieve the best on your rig performance?.

First your system is unique against other ones out there so any advice/changes is system dependent, ears ( yours ) dependent and according with your music sound reproduction priorities that are unique ( to you ).

So, if we take the cartridge alone you have several parameters to play with and because some of those parameters have interaction each to others the " work " is a hard one and one that needs know how and patience, some of those parameters already mentioned on what the people posted: SRA/VTA/VTF/Azymuth/load impedance/overhang/etc, the problem is ( example ) that when you change the VTF you are changing ( at least ) the SRA/VTA/overhang so you have to re-setting those parameters, other example could be when you change the load impedance ( like when you change to 100 Ohms ) , in this case ( dependent on the phonolinepreamp quality ) some times you have to change other cartridge parameters before you say: " now the sound is dull " , you know what I mean?.

Now, your system ( like any other one ) has its own quality performance limitations so the cartridge overall quality performance will be good as the weak link on your audio chain, this means that the 17 D3 cartridge can be better performer in a better whole rig.

I don't know if your Rega tonearm is the best match for that cartridge and this stand alone subject makes a huge quality performance differences in any cartridge evaluation.

About the Step up Transformer subject and if you think that your active high gain phono stage is a good one IMHO there is no single doubt that adding other stages: Step Up Transformer, input RCA connectors, output RCA connectors, cable IC and a impedance mistmatch between the cartridge internal impedance and the SUT impedance only can/could make a heavy degradation to the cartridge signal quality performance and does not matters which SUT you choose.

No, I don't have the right and precise answer to you but at least you can have an almost whole view of the complex that process is and where there are non simple universal rules.

Regards and enjoy the music.
Raul.
Rauliruegas has very good points on how to look at the LP system. So my answer is: it depends on your system and if your are playing mono or stereo!

My situation: I have a one TT/Arm system but play stereo with a Koetsu OPS in one B-44 arm wand and mono with Lyra Titian in second B-44 arm wand, I end up with two loadings two TFA's, and two VTA's. One setting for each - usually that's all. Have I tired more, yes. But the complications out-wade benefits on most records. The more anal you are the more you can do - it's just time, frustration and money.
I guess I am closer to "B" but in addition to vta, vtf is also important. Actually, i have gone through several iterations of vtf, vta and resetting overhang (i have a modded linear arm so its pretty easy) to reach my optimum for my cartridge. I will adjust for record thickness if I put on one of the real thin ones or if the sound isnt quite right. I think they call this an affliction
enjoy
Hi Will,

1st of all, I don't understand the 2 degrees bit. 2 degs from where to what?

2nd thing, if its SRA thats being referred to, should'nt it be 88 or 92 degrees?

How do we measure 2 degrees on something like a stylus? A profile projector. I have one at work, costs 40k, does anybody else own one?

Even if we did have it, how do you measure it and set it up on something sooooo compliant like a cantilever???

I have a solution to this. I've built an infinitely variable suspension system for the mounting of cartridges. Just tracks accurately everytime. The music, is so much more FREEEEE sounding.

Cheers!