Grand Prix Audio Monaco Turntable

I am someone indeed... and have no commercial interests either...and have a little experience too...AND A STRONG OPINION TO BOOT

RAUL, I wish I could meet you in the flesh...we shqre a passion, I could learn a lot from you!

Tonite its my wifes vinyl vault...Jean Michel Jarre original 80s grooves, oh how the Monaco/Dynavector shines... still putting digital to shame...

Enjoy!

Mtkhl and Cohnaudio: Have either of you experimented with siting the Monaco on different stands, such as differences in the sound on the Finite Element vs the Grand Prix?

Fcrowder, I've only had it on my Finite Elemente Pagode Master Reference rack. However, all the time I have heard the Monaco at my dealer (Transparent Music Systems) before I purchased one it was on top of a Monaco Grand Prix rack with a racing shelve and apex feet. It was IMHO the best match for the Monaco tt, unlike Mr Fremers experience, it made the table even more quiet and articulate, the pace was right on, supporting the strengths of the Monaco. To date I have not heard that excellent kind of playback in my system yet, although its the same as my dealer's, and I think it's partly due to the Monaco Rack system. The difference is mostly in the lesser details of the recording ambience, and detail cues of the recording space that I am still lacking...

Hope this helps you.

For those interested in the GPA Monaco turntable review. Here's the link:

http://grandprixaudio.com/Roy-Gregorys-Review-of-the-Monaco-Turntable.pdf

Dear Henry: Thank you for the HiFi+ review's link of the Monaco, here in México we can't find that magazine, only when I travel to USA I can buy it.

My hat off to Gregory, this is a professional review made for a proffesional person ( instead the MF one, with all my respect to him, looks like an amateur one. ) no doubt about.

I don't want to make a " book " here. IMHO the most important subject on the review was ( between other nice things ) that first than all Gregory works hard to understand ( and I mean it ) why, how and where comes the " different " ( nearer to the recording/music ) very high quality Monaco's performance.
He try and he achieve a very high level of un-equalize his brain from what is the standard top belt drive TTs performance, he don't try that the Monaco can sound like all other TTs but he try that the Monaco performs like the Monaco with its own advantages and real differences.

He try several cartridges ( I love that Ortofon 7500, one of my reference cartridge ), phono stages, TTs, etc, etc.

I agree with him in several different aspects like : about TTs designs over the years ( does not change anything. I posted here about in the MM cartridge thread before the Monaco review. ), about the importance ( over the TT ) of tonearm/cartridge combination/matching, about the critical importance of the Phonolinepreamp that with the Monaco and other top TTs " becomes much, much more significant ".

The Gregory's review is a learning one ( for say the least ) in many important and critical areas, Bravo!!!!!!

Regards and enjoy the music.
Raul.