2. analog
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Should I replace my LP12?

I've had an LP12 for the past 23 years. In that time, I've done all the suspension upgrades. It still has the Valhala supply. It also has the original Ittok arm, but a Goldmund platter. It has served me well and still works fine. However, I'm thinking that it might be time to go for a new, quite different approach to analog. I could save my pennies and get the Keel upgrade, new arm, etc, but maybe I'm simply ready for a change. I'm thinking I could get around $2.5k for what I have, including Clearaudio cartridge. My problem is where to go next for about the same money? The Pro-Ject tables look interesting as to the VPIs. I'd like to trade the LP12 signature lower mids for something crisper with a very sweet top end. I'm a tube guy so that might be considered a guiding principle. Any thoughts?
pscialli
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drubin
3,265 posts
 
I'm sort of in a similar boat. As far as I know, there is no Linn TT dealer here in the SF Bay Area any more, so upgrades and proper setup become a real problem, which is why I think about moving on to something else.
johnnyb53
3,510 posts
 

07-11-07: Drubin
I'm sort of in a similar boat. As far as I know, there is no Linn TT dealer here in the SF Bay Area any more...
According to the "Dealer Finder" on Linn's website (http://www.linn.co.uk/find_a_retailer_detail/country/US, there are Linn dealers in San Jose, San Rafael, Sebastopol, Burlingame, and Saratoga.

I'd be really surprised if they've all folded or dropped Linn.
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drubin
3,265 posts
 
Thanks. Only one of those is a "turntable specialist", which is
what I
would need, but that's better than none. Has anyone used Access to Music
for
LP12 set-up or upgrades?

Oh, I see there's also one in San Jose -- Ultimate Control. Never heard of
them, but good to know.
deturk
11 posts
 
There is a new Linn platter currently being auctioned on ebay with a buy-it-now option of $380. I, too, would keep your turntable. You can radically change its sound, it you want a change, by changing cartridges.
fled
3 posts
 
well I will buck the trend on this thread.
a year or so I was sort of in your dillema. I had an LP12/Ekos/lingo and loved what it did well and hated what it didnt do so well. I found myself only listening to what "sounded" good on it, but put anything remotly complex and it just gets itself in a mess. I demoed many modern decks and ALL of them sorted this problem out but brought a few of there own. In the end I went VPI SSM (not a natural choice in the UK) but I felt it gave the best comprimise between what the LP12 did well (groove and musicaility) with the ability to handle anything you throw at it.
Dont get me wrong the LP12 can play out of its skin but unfortunatly on only a few types of music.
Phil
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