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Linear tracking vs. Pivoted tracking tone arms.

After searching all 735 existing analog "threads" I only found one short discussion regarding Linear tracking arms vs. tangential tracking arms. I have been a vinyl collector for over 32 years, and beleive that pure analog is still the "gold standard". In 1984 I purchased a Sony PS-X555ES linear tracking, biotracer, turntable. It is a fully automatic table with direct drive. This table has served me well, with no mechanical or set up issues. It is still in my system today. There are no adjustments other than balancing the tonearm to a netural position, then dialing in your tracking force. Two years ago I installed a Denon DL 160 moving coil cartridge, and am very pleased with its quality. I am considering retirement for the Sony and replacement with a Michell Gyro SE with Rega pivoted arm. Linear tracking arms are not availiable. This is a belt drive, full manual table. I understand that the master LP lacquer is cut on a lathe with the linear method. Should vinyl be replayed in the same manner for optimal sound? I would really like to hear from some hard core audiophile vinyl types on this one. By the way, my system consists of the followinig: Conrad-Johnson PV10B all tube pre-amp with tube phono stage. This is split into a C-J Primer 11 tube amp and C-J MF2250 FET amp, bi-amped into a pair of KEF Reference series 3-2 speakers. The Premier 11 feeds the mids and highs and the MF2250 feeds the bass section. All cables and interconnects are Monster Cables finest. Thanks in advance for any advice.
lbo
wdgray
1 posts
 
If you decide to sell that PS-X555ES, please let me know.

William Gray

Los Angeles, CA
(626)794-0162
[email protected]
atmasphere's avatar
atmasphere
12,403 posts
 
I have also run linear trackers for years. I now run a Triplanar.

IMO, the Triplanar offers a lower tracking angle distortion than most linear trackers due to the fact that most linear trackers have far more lateral tracking mass than their vertical mass.

The cantilever of the cartridge is what the arm has to follow. If your tracking mass is extreme in the lateral mode, the cantilever will flex. If it does that, it becomes the source of the tracking error! If you run a cartridge that has low compliance so you can deal with this problem, the low compliance may be a problem in the vertical mode. The cantilever of the cartridge is quite short- so if you can see it flex at all then the tracking error is considerable.

So a radial tracking arm may well have a lower tracking error!

For this reason if a linear tracker is used, IMO it should be servo controlled rather than some sort of passive air bearing or the like. In this way the lateral and vertical tracking masses can be identical. To my understanding, there are no such arms made right now.
wntrmute2's avatar
wntrmute2
188 posts
 
I've got to chime in here. I've been running a Trans-Fi Terminator low pressure air bearing tonearm that is affordable, simple to set up and sounds fantastic. Easily runs with my SME-V which I also love. The music flows so beautifully off the Terminator it is hard to describe. Just sounds so effortless.
ketchup
710 posts
 
Atmasphere,
Are you familiar with the ET2 arm? Its counterweight is decoupled in the horizontal plane which lowers its horizontal effective mass. I'm not sure if any other linear tracking arms have that feature.
atmasphere's avatar
atmasphere
12,403 posts
 
Ketchup, I have heard that before. And you are right, that's a helpful feature and not found in the majority of air bearing arms.

What it does is react to minor perturbations (and is thus an acknowledgment of the issue), but if you think about it, for best results it would have to be tuned to anticipate the compliance of the cartridge (I suspect it introduces LF noise too, translating the subsonic noise generated by the bending of the stylus that otherwise happens to a higher frequency). All that mass is still moving across the LP though, and its all being moved by that stylus. IOW, its a compromise but better than nothing!

There is a different issue that all air bearing arms have. Ever notice that if you have higher pressure pumps, reservoirs and regulators that the arm sounds better? There is a basic engineering problem at play. In LP playback, there can be no play between the platter surface and the mounting of the cartridge. This issue is very much akin to the steering in an automobile. If there is play between the steering wheel and the wheels of the car moving on the road, the result will be uncertain handling and could be dangerous!

In a turntable this sort of play is translated as a coloration in the sound. Anyone with an air bearing arm knows what I am talking about- the pumps and stuff I mentioned earlier. IOW, there is play that is inherent in the arm and there is nothing that can be done about it if the arm is to work.

This is why I favor the servo-controlled approach. Its a pity that there are no arms that have been developed to take advantage of recent materials advances in this area.
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