Unfortunately, this article is accurate


Each of the six outlined reasons has varying degrees of accuracy. Despite the vinyl resurgence, the economic fairytale of audiophilia is a realistic wasteland for many younger Americans. And today's under 35 generation has internalized music on demand , not to mention being faced with living scenarios that preclude even the space for an audiophile setup. And those who DO swing a Fluance/NAD/Polk or Edifier system inevitably face judgment and condescension from many who also started out with similar systems 50 years ago. 

This doesn't apply to all on this forum, of course. Many are overwhelmingly kind and helpful and supportive. But what has struck me lately is how many of us "shake our heads in tragedy" at how out of control equipment has become while also bandying about $50K systems and recommendations of $2K "entry level" DACs and such. 

Their last reason is perhaps the most subtle, unfortunately. In a cultural paradigm of streaming and TikTok that has way way more immediate effect than tv or radio ever did in the 20th century, the monolithic image of a singular system is about as appealing as a smoking gown and a vodka gimlet by the chesterfield.  

I know many brands are targeting more affluent world markets, Dynaco being the most recent. That should be a sign to the dwindling American audiophile community. 

Thoughts? 

simao

Maybe I'm lucky, but I've been encouraged by some youth at my church that expressed an interest in playing records. I was able to set up up a brother and his sister with each having their own systems. The young man got a used vintage 25w/ch JVC receiver with a pair of Polk T15 speakers mounted on stands, and someone from church donated a Denon LP 45F turntable to the cause, that I mounted a Sumiko Moonstone cartridge on ( i had it laying around and wasn't using it). For his sister, I put together a used Denon turntable with a Fosi BT20A amp with Bluetooth and a Fosi X2 phono preamp, and some Pinnacle 3000 stand mounted speakers. They were both very happy and it all cost less than a pair of budget bookshelf speakers. I heard their parents were listening to their records on the kids systems, so I put something together for them as well! All very inexpensive, but providing decent sound and helping to grow their interest in the hobby!

I always ask audiophiles, how old were you when you bought your first real pair of decent speakers?  For me it was 40.  The kids were a little older, I had a little disposable income for the first time, and I had time to sit and listen as a destination activity.  There are exceptions, but I think many audiophiles grew into it in middle age.  That's why I don't worry about twenty-somethings being thrilled with ear buds.

I have another take on the current condition of the hobby.  I am old (77), grew up in the 60s and was fortunate to have lived through an amazing time for music.  I began with a cheap, what I call a grind-o-matic record player when I was in high school (graduated 60 yesrs ago).  My affair with music began with the Ventures aurf music, but quickly moved on to the Stones, Animals and the British Invasion.  Music was a connective part of my life with my friends.

After getting my invitation from the government to enter the military, I began a journey that put me in a place where music kept me sane while I was in the Army.  I had enough $$ to buy my first decent audio set up with an amplifier, tuner, reel to reel, turntable and decent speakers.  It would be called mi-fi today, but it was heaven to me and my friends when I returned to the states

Music was available to the masses as concerts were affordable and an amazing collection of skilled artists were in their prime. I went to see The Allman Brothers Band on 2 hours notice and the ticket was cheap.  1971 and Duane was still leasing the band.

I say all this as background to my hypothesis that aside from Swifties, no group of fans is waiting with bated breath for the next release of a large number of bands to see what new magic is being made.  That, plus the cost of concerts is on the moon is keeping the young away from live music.  
 

while a rock fan, I had season tickets to the symphony, went to jazz and blues clubs for a 2 drink minimum.  I remember seeing the Newport Jazz All Stars with Milt Hampton on vibes, Harry Belefonte was in the house that night.  My wifes margarita at a mexican restaurant was as much as her dinner last week.

I enjoy the music at home on a decent system, replacing it would be the cost of a new car, but the music to me is no better psychologically than my first quality set of separates.  I can tell the difference most certainly, but the joy is no different.

Onw way to observe this effect is to watch some reaction videos on youtube.  To summarize this long winded rant, it is cost, access and quality that has diminished the attachment to music compared to my youth. 

Related to this post I want to mention 2 things.

 

1. When I first heard, "I Want To Hold Your Hand, by The Beatles, it was on my grandmother's cheap pink plastic radio. The way I felt from that experience had absolutely nothing to do with the fidelity of it.

2. There's a guy now selling $600 fuses to audiophiles. 

Just one item I would like to point out amongst many things that make up the outrageous cost of living today is real estate itself. Younger people are being forced to share Apartments with roommates. This makes it really difficult to unfurl your taste in music on a conventional stereo with speakers. Also the trend of saddling apartment dwellers with the equity for the building also known as a co-op conversion which sprouts hundreds of opinionated owners supporting their own mortgage that is slowly drowning them along with ever-increasing maintenance who get truly surly about somebody enjoying their stereo. So it's not really that people have fallen out of love with their stereos it's more like after they lose two or three apartments and they've got to give up the stereo or set it up in the street. There are a number of factors that compound this the most glaring being that sound isolation is never considered during the massively expensive but infinitesimal in reality Capital improvements which are booked for that Co-op conversion. So they won't be adding any stagger stud party walls and when they put the new laminated floor down you'll find that it actually makes footfalls louder instead of putting some type of isolation on the floors.