Favorite Classical String Quartets

@billstevenson 

J.S. Bach was born into a musical family, including his father and two uncle’s; his Grandfather, Great Grandfather and Great-Uncles - all professionals.  J.S. also had several sons who were professional musicians.

Funny - after a time, to be an organist in that part of Germany was to be known as ‘a Bach’.

Organ was THE instrument in the early part of Bach's life (often scored with vocals). Being a great composer/keyboardist for the church or royalty was, arguably, the best way for a musician to make a good living at that time.

It is a well-known story that "Johann Sebastian Bach walked more than 200 miles to listen to the great organist and composer Dieterich Buxtehude in Lübeck (Germany)."  Buxtehude was, primarily, the organist at St. Mary’s church.

Outside of Germany - Pachelbel, Vivaldi, Albinoni, and Couperin are also prolific musicians whose music was well known to J.S. 

Most music was shared as written works, but improvisation was part of daily life was well...

I hope this helps...  A deeper dive awaits you!

@retiredaudioguy  

The Große Fuge takes a little getting used to and is quite complex.  Personally, I think is a masterpiece.  It was originally supposed to be the final movement to the 13th string quartet, but apparently with some advice, Beethoven decided that it was best to stand alone.

The Heilger Dankesang at the close of the 15th (Op 132) quartet is one of the most moving and beautiful pieces in the entire repertoire.  Beethoven wrote it to thank God after recovery from a serious intestinal illness.  His genius is so profound - the composer of the 9th symphony wrote this quiet song on thanks.

I agree with all the suggestions in this thread, although I still have to hear a few.  Allow me to add another name --  Mieczyslaw Weinberg, a contemporary of Shostakovich who championed his music.  You will not similarities and differences in their compositions.

Among them all, for me Beethoven and Shostakovich from the early 19th century to mid 20th century they form bookends of great composition.  We are the beneficiaries.

@bruce19 I am probably the last guy to ask about John Coltrane.  He is not my fav all the way around, although I prefer his early recording best.  The things he did on Prestige and with Miles on Columbia and with Canonball are all musical.  I really like old jazz more, so when it comes to saxophones I like Young and Hawkins and really all the guys who played in the early bands for Ellington, Henderson, Basie etc..  I liked all the swing small group sessions that were recorded by labels like Commodore, Black & White, Keynote etc..  Then when BeBop came in there was Parker of course and a lot of followers.  I got real interested in the West Coast Jazz thing too.  Bud Shank, Art Pepper, Sonny Stitt.  Then along came Brubeck and for a long time I listened to Paul Desmond.  Remember the Bossa Nova craze?  Stan Getz sold more records than any other sax player ever, if I'm not mistaken.  You'll notice in this quick run down that somehow Coltrane and Rollins aren't showing up.  We all like what we like.  I am a simple guy.  Maybe those guys are just too sophisticated for me.

@billsw 

technically the Heiliger Dankesang is the third movement of 5 in Op.132.  It certainly is the emotional core of the work.

  Weinberg, or Vainberg, quartets don’t interest me as much as Shostakovich, although I agree there are strong similarities 

@larryi 

The album of the ‘Degenerate Music’ composers is interesting.  I haven’t heard any Ades quartets