Turntable Right Channel Dropping Out; Grounding Cartridge Body Brings It Back


I’m running an old Numark Pro-TT1 DJ-Style turntable which I have modified in the following ways:

(1) Added a switch to toggle between Signal and Chassis Ground (to solve a Ground Loop issue with another cartridge)

(2) Falling Weight type of Anti-Skate

(3) Balanced Tonearm XLR Cable made for me by a company in England (I think it was Iota)

(4) Added a new ‘The Vessel’ cartridge with an elliptical stylus on an aluminum cantilever. 
 

(5) Replaced the original tonearm wires with Cardas clear tonearm wires,

I’m currently using an ELAC Alchemy phono stage that has balanced inputs; but I’m going out from it on unbalanced RCA cables to my McIntosh C100 preamp. The input on the McIntosh preamp can be configured as either a Moving Magnet phono input or an Auxiliary input; I’m using it as an AUX input. The C200 passes the signal to two MC252 stereo power amps. Each power amp is bridged to mono so that they operate as monaural amplifiers. 

There are pictures and descriptions in my profile. 

Currently, there is a ‘breakout box’ of sorts installed on the unbalanced line for the purpose of taking voltage readings and oscilloscope traces while using my Analog Production’s Ultimate Test Record to dial in my new cartridge.

What’s driving me nuts is that while I’m listening to music, I suddenly realize I’m not hearing anything from my right channel. I can see the needles moving on the ‘big, beautiful blue’ gauges on the MC252, but the voltage on the multimeter (if connected) is way down, and there is no trace on my old analog Tektronic oscilloscope. Eventually, the signal on all indicators fades to zero confirming what I’m already (not) hearing. 
 

But, if I touch my stylus brush to either side of the cartridge body that is metal, I hear a brief, fairly loud, hum from the right speaker. After that the system works fine again. Sometimes the problem comes back on the next side, but after a few cycles of this ‘hum draining’ exercise, the system is good to go for as long as I care to listen, two or three hours, usually. 
 

I can touch the metal cartridge with my finger, but that doesn’t generate the hum or bring my system back. It’s only when I touch, or when my stylus brush touches, both the cartridge and the headshell that the hum is generated and the system’s function is restored. 
 

Does anyone know, or have an idea, of what is going on here? I have another identical Numark turntable that still has its original unbalanced RCA cabling, and to which I have performed the same modifications (except the grounding switch), it has none of these problems. Am I forced to revert from a balanced to an unbalanced interconnect? Why? What is going on? Anyone know?

oldrooney
Post removed 

@dover Thanks for responding. I’ll Ohm out the wires later today. Watched a video on YouTube this morning by The Turntable Man, it’s no big thing to Ohm out from existing cartridge to cable’s phono stage termination. 
 

[Note: I accidentally deleted an earlier post on the same topic.]

@dover I remembered that I had Ohmmed out the tonearm cables when I re-wired the tonearm; but I did it again and moved the arm while doing so. Everything seemed fine, no hiccups.
 

I also investigated the grounding scheme again and found that (1) there was no ground wire on the power plug, (2) the control elements were grounded to the chassis proper, but (3), the tonearm was grounded by three conductors all linked to the 100 Ohm resistor ‘lifting’ the ground available to the cartridge. I had wired the interconnect’s ground wire to the center terminal of a single pole, double throw, switch. This allowed me to select between the chassis or the ‘lifted’ ground when connecting the interconnect’s grounding wire to the chassis of the phono stage. I realized that the turntable was designed to use the ‘signal’ ground, and that the switch was defeating the purpose of the design.
 

Then I had a think.

I considered adding a jumper inside the body to replicate the grounding of I was doing with my stylus brush trick, but by anchoring one, or both, negative signals from the cartridge, I was defeating the Common Mode Rejection feature of the balanced interconnect. I needed to face facts. I don’t know why the balanced connections don’t work, but they just don’t. 
 

So I ripped out the switch and went back with the original unbalanced RCA cables. I have played five (5) sides of three records without any of the issues I described above.

@lewm Thanks again for jerking me out of my reverie and getting my mind back into troubleshooting mode. When I’m working on my own stuff, I forget everything I learned working on other people’s stuff ‘at work’, if you know what I mean. 

@oldrooney 

Great that you have found a solution.

The interesting thing with TT grounds is that with most vintage turntables the TT chassis ground is connected to the tonearm ground and taken to phono grounding post.

Now my view is if you are running a single ended phono stage then in theory any noise picked up by the tonearm/chassis ground is fed into the phono signal path.

I prefer to keep TT/tonearm grounds out of the signal path and ground directly to mains rather than into the phono stage ( assuming single ended ).

The only issue becomes when either tonearm manufacturers, eg Rega, insist on using one of the signal grounds for the TT ground, which means you can't separate them, or the cartridge has an earth strap between the tonearm/headshell and earth pin on one of the channels, in which case you can't separate the signal ground from the TT ground.

I suspect your problem is likely caused by an earth strap between the cartridge body and one of the earth pins on the cartridge - this would mean effectively you cannot separate the signal earth from the chassis/tonearm earth and when you feed into a balance phono effectively you are tying the ground to signal, net result probably not good.

If you ran a moving coil cartridge, I suspect you would not have any issues running single ended or balanced.

I am guessing that if you remove the cartridge earth strap, with moving magnet cartridges, if they are unshielded they are more susceptible to picking up emf - eg the famous grado hum when the cartridge moved across the record towards the tt motor.