Do I need an expensive digital cable?


I have been using a fairly inexpensive optical cable to connect my CD transport to my Moon 280D streamer. I was told that an SPDIFcoax cable would sound better. For an experiment I purchased an inexpensive Pangea coax cable. It didn't sound at all because its terminator ends did not fit snugly in my equipment. I consulted chatgbt who often gives me audio advice. It advised that for the short run of 1 meter, an RCA interconnect would work. It did. And sounded much better than the optical. Chatgbt said that RCA interconnect was good enough.

Now, there is a twist to this story that might make those doubters think twice. A digital cable carries packets of information that are rechecked to assure that the streamer is recieving correct information. There is the timing concern, though. But my Moon 280D has an asynchronous DAC with a clock as part of the DAC. Any information sent by my transport, whether it is clocked by the transport or not, will go through the Moon's asynchronous DAC's clock. So ;there shouldn't be a timing problem. Should there?

Can anyone make a case that I should buy a "better" coax cable?

audio-b-dog

It depends!

If you have an external clock - that cable matters - a lot.  This clock controls the timing of the internal d to a conversion process, so any jitter affects SQ.  That cable is the most expensive one in the digital part of my system.

If you are using I2S - over an HDMI cable or RJ45 - it matters a lot, once again timing data is being transmitted over the cable.

If you are using Toslink - stop (except possibly to hook up your TV).

If you are using S/PDIF Coax - possibly.  The cable must be "decent" - 75 ohm, shielded.  Then it depends on the implementation of the S/PDIF in your DAC.  If the DAC implements a good buffer, isolation and reclocking, then an OK cable will sound as good as a superb one.  In "olden days" then the cable was critical as the DAC's clock was derived from the input data stream.  If your DAC still does this then the cable matters a lot.

With USB - the cable needs to be good enough that the received data is correct, jitter is probably irrelevant as the data presented to the actual d to a conversion has been buffered and timing is solely dependent on the DACs clock.

But then there is the electrical noise that might be picked up by the cable.  Then it depends on how well the interface was implemented, does it provide isolation so that electrical noise does not affect the DAC, unless the noise level is comparable to the signal level which could change the data?  If there is any weakness in that aspect then the shielding or filtering of the cable matters.

My DAC is the Esoteric K-01XDSE wherein the engineers went to extreme lengths to isolate the d to a conversion process from the effects of jitter and noise on the input; I tried switching the Cardas USB cable for one that had come with a printer and could detect no change in any aspect of SQ given intense critical listening.  In my layout the cable is in a pretty benign electrical environment, well separated from power leads etc. YMMV.

I’m going to make a coax SPDIF cable suggestion that’s really quite terrific- Canare CV-77S terminated with Canare crimp on 75 ohm RCAs or BNC. Every bit as good as an Audioquest Carbon SPDIF coax I had in my system for a couple of years. 

^^^
 I wonder if this Canare CV-77S above is the same as Canare LV-77S used by Blue Jeans cables, which they “terminate with Canare crimp connectors”?

 

https://www.bluejeanscable.com/store/shopbycable/LV77S.htm?srsltid=AfmBOoq3wogsmVCvaqlHsAH2Oj_nqnraWfHeIqA-zFZG0JPDSxFHRY78

@richardbrand 

I don't have an HDMI choice, so I have no idea about it being better. I have, however, been experimenting with DSD vs PCM by playing the same album on Qobuz and Tidal. I think I mostly prefer PCM for its better delineation of instruments. It also handles attacks better. However, every now and then DSD seems more airy and I prefer that on a few albums. My accountant wife says one has to go. I think I'll keep Qobuz.

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