What a great video. There’s some of it in all of us!
Recording as Artifact
The more I listen to classical music the more I feel as though the sound of the recording influences my opinion of a performance as much as the interpretation. The recording is an artifact of its own and necessarily should be judged as a total entity. Of course there are exceptions, such as horrid performances in great sound and visa versa. A legendary performance doesn’t have to have great sound to be appreciated. But other than that, generally I appreciate a recording as a combination of interpretation and sonics.
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As a kid, my mother had a large collection of records.Most Symphonies and some Showtunes. After she passed, I inherited the collection. it’s amazing how you can listen to the same music, the same symphony, but with a different conductor and it sounds so different. Or the same conductor with a different orchestra or in a different venue. |
@curiousjim |
@rvpiano - ultimate detail is, in fact, precisely what every audiophile should be working towards. It is detail bloat that should be avoided at all cost, which certain tweeter/woofer typologies and/or material choices can exacerbate. Ultimate detail isn’t about hearing the tiniest chime at a scale approaching that of a lead vocalist, it is about hearing the completeness of a performance in all its amazing detail the way one would hear it all at a live performance. And, while more expensive components can get one closer to that, the most vital part of accurate detail retrieval (not detail addition), will not come by way of the superlative single component, but by the aggregate of every single part of the signal chain. It does mean attention and effort put to each and every thing, in culling the smallest percent of improvement, because components alone only provide the smallest of a fraction of that retrieval; it’s all those little fractions put together that can yield up to a full 16 percent of sound realism improvement, the effect of which can be mind-blowing.
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