Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

And for a deeper dive:

French Canadians (Acadians) and French Creoles significantly influenced early American jazz by introducing European musical structuresclassical training, and specific dance forms to the multicultural environment of New Orleans.

While "Cajun" music itself is a distinct genre from southwest Louisiana, its roots in French-speaking Acadian ballads from Canada contributed to the broader "French" cultural landscape that birthed jazz. 

Key influences include:

  • Musical Sophistication and Training: Many "Creoles of Color"—people of mixed African and French/Spanish descent—were classically trained musicians who often studied in France. They brought a high level of technical skill and discipline to the early jazz scene, serving as essential teachers and bandleaders.
  • European Dance Forms: French dance styles like the quadrille provided structural blueprints for early jazz compositions. For example, the famous jazz standard "Tiger Rag" is believed to have originated from various melodies of a French quadrille.
  • Melodic and Folk Roots: Traditional French folk songs, street cries, and ballads brought from Canada and Europe were integrated into the musical fabric of New Orleans. These melodies often served as the basis for improvisation by early jazzmen.
  • The "French Tinge": Similar to the "Spanish tinge" noted by Jelly Roll Morton, the "French tinge" refers to the pervasive influence of French culture—including the language, Catholic religious music, and military band traditions—on the development of the genre.

 

While French Canadians are not typically cited as a primary origin of American jazz, their cultural and geographical ties to the "French world"—specifically through the New Orleans - Paris connection —played a significant role in the genre’s development and global survival. 

This makes sense. Now I understand why artist such as:

  • Freddie Keppard & The Original Creole Band: Credited with bringing early jazz to Canada, this group played the Pantages Theatre circuit in cities like Winnipeg in 1914 and 1916, marking some of the first jazz performances in the country.
  • Jelly Roll Morton: Performed in Vancouver, B.C., around 1919 –1921.
  • Josephine Baker: The legendary entertainer performed at the Gatineau Country Club in Ottawa in August 1955. Not to mention in 1925, taking Paris by storm with her breakout performance in La Revue Nègre at the Théâtre des Champs-Élysées on October 2, 1925 along withSidney Bechet
  • Sidney Bechet: Toured Canada in 1937–1938 as part of his extensive travels during that period.

Stanley Clarke & Stewart Copeland: Two Cool Cats

Clarke needs no introduction to jazz aficionados and Copeland was the drummer for the pop/rock band The Police as well as composing a lot of film scores.

https://youtu.be/ITU9SdtXPjE?si=MgDROX8RieEeaTgv

I think your, or A-i's, "Canadian" attributions to jazz (jass) origins are a bit off.  Ai is conflating French Canadians with the origins of New Orleans Creoles(two unique populations). To sort it out you might refer to the book "The Making of Jazz" by James Collier.