@mgrif104 - I agree with you.
Each of those, I believe, have music servers which I don't need at this point because I only stream. Also, none of those machines are USB-optimized. The other issue with those machines are their prices which range from $20k to over $70k :
| Model | MSRP (USD) | Typical Used Price (USD) |
| Taiko Extreme | $30,500 | $18,000 – $24,000 |
| Taiko Olympus | $73,000 | $50,000 – $60,000 |
| Pink Faun Ultra | $25,000 – $45,000 | $18,000 – $30,000 |
| Innuos Nazare | $55,000.00 | Not Available |
| Antipodes Oladra | $25,000 | $14,000 – $18,000 |
| XACT S1 Evo | $20,000 – $40,000 | $12,000 – $25,000 |
That's water that I can't swim in. The Rex 3 DAC's price was stretch for me, but I had little choice because it is now no longer produced. It was not a commercial success and my understanding is that Playback Designs only supplied BAT with a few D/A boards. The Rex 3 uses the Playback Design's DA section and then builds an extraordinary tube analog section that includes insane power supplies and tubes.
With that said, even though it doesn't have a screen, I am seriously considering finding a Innuos Pulsar because its ARC6 reclocking, which is proprietary to Innuos, and ultra‑low‑noise USB stage are specifically engineered for DACs like the REX 3. The Pulsar and the $55k Navarre may be the only other machines in this conversation that challenge the RS130 in terms of its compatibility with the Rex 3 DAC and the a Navarre is priced far above my willingness to pay.
I suspect that any streamer that I purchase will not be the last, but I want a machine that if, I find it necessary to keep, it's one that I can live with for a long time.

