It's a shame they don't help you, it can get tricky. My long arm, I realized Afterwards I had a few close clearances, just got lucky. And, I had to cut a notch in my dust cover for the 'above plinth' wires.
This Classic 4, the rear plate and part of the arm is cantilevered beyond the rear and left side of the plinth, and the cable is not out the bottom of the arm post, i.e. din, it is above the plinth, sticking out much further.

Sometimes a VPI Junction Box has to make a transition from delicate tonearm wires to RCA Jacks, I did that with box from NewArtVinyl, later a box from VPI using their mini-din connector.
without a dust cover, you can make a bigger mounting plate, or, a huge/heavy dust cover around the Plinth and extended parts
Check the height of the gimbal below the dust cover, when the arm post is raised for a tall cartridge, say 22mm, above a thick LP.
With a more compact plinth, with a dust cover that sits ON the plinth, thus smaller, lighter, easier to place somewhere during play, be more careful:
Don’t forget the length of the counterweight section behind the pivot.
a. if removable dust cover, it only has to fit when parked and you put the cover back on
b. IF a hinged dust cover, the rear of the arm must clear the portion of the dust cover on it’s outside edge as it pivots: if the rear, the rear face, if right side, the side of the cover or a side hinge.
I have seen cutouts to allow an arm to pivot while the dust cover is closed, however many of us believe a cover should be removed, or left raised, so as not to reflect micro-vibrations back down to the LP, arm ...


