@bthartman i appreciate the recommendations and I have heard good things about the Laiv DACs. I’ll have to check some reviews. I have been experimenting with Qobuz, but I find it does not do as good a job in recommending new music as say Spotify. I find that quite challenging. I’ve read Tidal does a better job - I may give that a shot. I like Qobuz a lot though.
Galion vs Luxman vs Advance Paris vs (anything else)
Hi everyone -
I currently have Wharfedale Super Lintons in a 15x21x9 room and have a Cambridge EXA100 integrated amp. I have the DacMagic 200, blue sound nano and CXC CD transport. I also have the Alva Solo and Sansui SR-717.
I have zero issues with the Cambridge equipment- but in the world of music - is anyone ever satisfied?
I’m planning on keeping the Wharfedales.
I’d be curious if anyone has may experiment with either the Galion Mono blocks and the Galion Navy Tube Amplifier? It seems like that would be a sublime combination- just under $6k USD.
On the other hand - Luxman. Everyone seems to love Luxman. I’m thinking of a use 507z. It’s approximately around $6k as well.
Lastly - Advance Paris A12 Apex. I’ve heard the A10 Classic and loved it. Truly beautiful sound. I have to assume the A12 Apex is better. But I did read a review that seemed to indicate the build was less than stellar. That’s about $5k.
Am I missing a different brand that I should be considering?
Long term I would upgrade the DAC and streamer on anything I get out of these three. I’m not trying to solve all the world’s problems in one purchase, but I’m trying to get the best base possible.
I’d say I listen streaming 50%, CD 25% and records 25%.
Musically, I’m interested in Afghan Whigs, The National, and Rush - love them all live.
The term I think of when I listen to music and the sound I’m looking for is: emotional truth. I want to feel it.
If you had any thoughts - including, forget all that go with this, I would be deeply grateful.
Thank you and happy New Year!
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@macg19 if I had to guess it is likely my DAC. A couple of thoughts (1) I generally use the DacMagic 200, however I’ve experimented with the Denafrips Ares II. I found that was a big step up. I’d like to find a used Pontus 15 at a price point that I’ve seen previously online (2) I think my internet is ok as it is hard wired directly from my router (3) I probably was I sloppy to have used the term bit rate I have zero evidence as to what those numbers are or are not What I should have said is my ears suggest the sound quality is not what other services offer (4) I’ve always been interested in the Black Ice product line - did you try a different DAC before that one? Any observations? (5) curious as to the choice for the LPS on the dac vs the Node? I suppose you could do both? (6) I just add a Furman Elite 15 PFi into the mix - it replaced a power strip. I believe it has improved the SQ of my turntable a great deal I am still experimenting with streaming to see if I can hear any difference or if I’m creating it in my mind. Thanks for the comments!
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You’re welcome! The BlackIce DAC is the only external DAC I have had in my system. I did quickly swap out the stock tubes and ended up with NOS RCA black plates after moving the pricey NOS Mullard’s to my phono stage. I have the luxury of being able to compare the DAC directly to an analogue source at more than 10X the cost and it’s astonishing how well it competes with the Node 130 as the streamer-only. I have a few other tweaks in the digital chain all listed in my virtual system but in all honestly I’d have to take them all out and add them back one at a time to provide any meaningful feedback. The LHY LPS is used in the Node 130 not the DAC. The LPS was a meaningful upgrade and very reasonable. I had very good service from Alvin @ LHY/Vinshine. All the best! |
@ctlesq - I own a Denafrips Ares II and Black Ice Glass Tube FX DACs. When I originally purchased the Denafrips DAC I chose it over the Black Ice DAC primarily based on the purchase price and the fact that the Ares II doesn’t have the headphone amp capability that is a wasted function for me. Eventually, curiosity got the best of me so I purchased one of the very last Black Ice DACs (after they listed them as not available). I started with the upgraded Psvane tubes that I was told were essentially a copy of an Amperex tube I have since upgraded the tubes and now have NOS Amperex Holland tubes that are identical to the famous Bugle Boy tubes with different labeling. They improved the sound to my ear as it was a bit too warm for my system. I would consider the two DACs to be equals from an overall sound quality perspective, but they do sound different making it a personal preference. The Denafrips seemed to have a blacker background (less noise) which I miss at times. The Black Ice has a more 3D soundstage. It’s a bit of an apples to oranges comparison because I also changed tubes in my Pathos Classic One MKiii amplifier as part of the change. I had been using 1960s Mullard Great Britain tubes, but got a set of NOS 1960s Mullard Great Britain gold pin tubes. The gold pins resulted in a dreamy sound, but it was a bit too warm for my taste. Part of my motivation for trying a different DAC was to see if I could find the right balance with the gold pin tubes. It took the NOS Amperex tubes in the DAC to bring it all together. I plan to keep the Denafrips DAC for the future as I anticipate that at some point I won’t be able to get the tubes needed to keep me happy. |
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