@devinplombier
Thanks — glad it was helpful :)
For RCA, I’ve landed pretty firmly on the Canare F-series (mostly F-09). The design is excellent, tolerances are tight, strain relief is built in, and they almost refuse to let you make a bad cable. They were originally designed for broadcast use, but they’ve ended up in a ton of studios and adopted by audiophiles for good reason. Extraordinarily elegant immaculately finished.. they stand out for me.
For XLR, I stick with Neutrik. Reliable, well-engineered, easy to work with, and rock solid once terminated. I’ve never felt the need to go beyond them.
I’ve tried a lot of connectors over time, including Amphenol, Rean, and Switchcraft. I tend to value good engineering, consistency, and repeatability over anything exotic. What about you?