One thing to keep in mind is that when CD’s and SACDs came out, re-mastering was common, for one reason or another, and of course the loudness wars were a thing, so some of what we heard in terms of:
- Compression
- Channel separation
- Frequency response
was pretty deliberate. There’s even evidence for instance for Pink Floyd’s Dark Side of the Moon being repeatedly re-mastered with each CD pressing, with some very different results. I think there was even a premium version which was particularly poorly received.
Having said that, given the normal vinyl cartridge variations in frequency response to one another, I’d be really surprised if you found a vinyl and digital copy which performed audibly identically, without significant bandwidth limits on the playback system, so I suggest a decent pair of headphones may be needed to help assess.




