Vinyl foibles


I'd like to make this a space to ask questions about vinyl problems you're having trouble solving. I have a lot of questions, but I think it's better if we ask one at a time, or else I think we could have long lists.

Here is my first question. I have a Degritter album washer. I think it works great. I wash all my albums once, but not before I play them again and again.  Somehow, though, and this includes new albums no one else has ever touched, they pick up ticks and what sounds like scratches. I rewash the album and it sounds like new again. I only touch albums by their edges. How do inner bands become so dirty that sometimes a smudge can last a minute or more?  I've been playing vinyl albums for more years than many of you have lived, and I have learned to be very careful with vinyl. Are there vinyl gremlins haunting my album shelves?

audio-b-dog

Chatgbt makes me smile. I talk about audio issues all the time with it. I asked it if the 1996 issue of Everything But The Girl's "Walking Wounded" sounded better than later reissues. It had already told me that they both come from digital sources. Here is what it had to say:

1996 original vinyl pressing

Pros

  • Cut very close to the original digital master

  • More immediate, raw, club-era feel

  • Slightly leaner but faster transients — drums snap, bass lines feel agile

  • Has that mid-90s Virgin/Atlantic house sound: a bit cool, a bit stark, but honest

Cons

  • Pressing quality can be inconsistent (some copies are noisy)

  • Can sound a touch brittle on revealing systems

  • Not especially forgiving on bright cartridges or tweeters

Overall character

Taut, modern, a little edgy — very “1996 London after midnight.”


Later reissues (2010s onward, esp. Virgin / Back to Black era)

Pros

  • Quieter vinyl, better consistency

  • Slightly warmer and fuller tonal balance

  • Bass has more weight; vocals feel a bit rounder

  • More forgiving on modern high-resolution systems

Cons

  • Often more processed

  • Transients are a bit softened

  • Loses a little of the original’s nervous energy and bite

Overall character

Smoother, more “audiophile-polished,” but less urgent.


Bottom line (no fence-sitting)

  • If you value authenticity, timing, and edge1996 original

  • If you value quiet surfaces, warmth, and listenabilitylater reissue

Given your system history (Pass gear, Sonus Faber, sensitivity to treble glare), I’ll be blunt:
👉 The later reissue will probably sound better in your room
👉 The 1996 pressing is more historically correct but less forgiving

In your OP you state the following: "I’d like to make this a space to ask questions about vinyl problems you’re having trouble solving. I have a lot of questions, but I think it’s better if we ask one at a time, or else I think we could have long lists."

The first sentence suggests you have the same aim as that of the Analog Asylum, "ask questions about vinyl problems". That’s what AA is all about.  Then you say, "I have a lot of questions...". That shifts the subject to your own particular issues, which is fine, but then you say, "I think it’s better if we ask one at a time, or else I think we could have long lists."  But again, that is a description of AA in general.  So are you trying to develop a subalternate version of AA or to discuss some of your own particular issues?

The particular difficulty here is, getting an alcoholic to admit they have an issue.

Am l….. on the right forum?

hic!

@jefflewno56ec 

I did not know about the Analogue Asylum. Is it on Audiogon? One of the reasons I began was to put this on a peer level. Often I go on forums that condescend to people not asking questions that the group, or the alpha of the group, thinks are unintelligent. If the AA is open to all level questions and discussions, I will stop this thread and join theirs. The other caveat is that if some people want to stay on this thread, then I might continue it. Are there basic differences in the type of questions on this thread and on the AA thread?

The other “AA” can be serious stuff.

Here’s a vinyl foible to lighten things up.

If you want a bit of fun, ask people (even audiophiles) or friends a little sozzled, or drunk, “How many grooves are there on an average two sided 33rpm Vinyl LP Record?

The answers are nearly always a great source of amusement, even more so if you are in a large group of inebriates.