Vinyl foibles

Jumping to a new topic. There are many when it comes to vinyl. For years I was happily running my system with an ARC Ref 3 preamp and ARC PH-7 phono preamp. My Hovland Radia amp was designed by a tube amp designer and he took many years giving the Radia the rounded edges of tubes. So, I was basically a tube guy.

I have kind of aged out of tubes. I no longer can stoop in the 2 foot space behind my system to unhook all leads into the preamp so I can take it out and change tubes. Ditto the PH-7. I have replaced them with Pass Labs XP-30 preamp and XP-25 phono stage. 

On most records this combination is superb. But a friend of mine came over and wanted me to play Springsteen's "Dancing in the Dark." It sounded pretty bad. The treble was just too aggressive. I did a little research and the allbum this song is on, "Born in the USA," was taken from a digital source and "mixed hot." Compressed to be played on car radios. I had the same thing happen on a "Counting Crows" album. 

It's not a huge problem because I mostly listen to old jazz and classical music. Still I wonder if anybody out there has had to deal with this problem.

My system consists of a VPI Prime Signature 21 turntable, VPI Shyla cartridge, the afformentioned electronics, and Sonus Faber Olympica Nova V speakers, which do not have the treble softness of earlier Sonus Faber speakers. I run the preamp loading at 160 and the capacitance at 200, which is perfect for almost all of my albums.

Back to the record cleaning, here's what I do on my limited budget (and works very well):

After putting the record on the turntable and tightening the clamp, I spray some distilled water on a rolled up piece of corduroy about 5" wide and spin the record at least once around; then, I move the corduroy roll a bit to lightly dry the record before lightly taking a soft brush to the stylus a couple times.

I do this religiously every single time I play a record; it's much cheaper than an expensive cleaner and works very well for me.

First, to control static I have two devices: a Zerostat and a Furutech destat III.  They both work, the difference is like the difference between manual steering and power steering.  If you can afford it, the Furutech is worth the money, but get one or the other.  As for your question about brightness, if the problem is confined to just a few records that you rarely play, my advice is to not lose any sleep over it.  If you are finding yourself annoyed frequently, then you want to look at the loading on your cartridge.  I am sure VPI publishes recommendations for the Shyla or you could just call them and ask.  VPI sets themselves apart from a lot of companies by actually answering their telephone and having people to talk to who know a thing or two about their products.  A quite refreshing phenomenon IMHO.  Anyway, if you explain to them what you are hearing, pretty much exactly as you have done here, they can help you tame the cartridge down a smidge.  Please note that new electronics are not required to make this minor adjustment.  What you own is all first rate stuff that can sound stellar when adjusted to perfection.

@billstevenson 

Thanks for the feedback. I own the Zerostat and use it, but some records have more static than I can get rid of. I have my phono preamp properly grounded so it doesn't pass any along. I have the Shyla pretty well dialed in. I'm, happy with the Pass preamps. I think they're about as close to tubes as I'm going to get in solid state. And you're right about VPI. They are good folk. I've dealt with the father and the son and the mother over the many years I've owned VPI. 

I strongly suggest your get a Furutech.  I just refurbished my VPI HW-19 MKIII along with the HW-17, both bought new in 1986.  They still do excellent service for me at our NH home, from which we just returned.  In my main system I have an HW-40 and a recently acquired MW-1 cyclone.