Any problem with this NIOSH app?
Yes, it is only available on apple products.
If Warmth Is a Distortion, Why Do So Many Audiophiles Still Defend It?
Hi everyone, this is my first post here. If it stirs some emotions — that’s not a bad thing. It means we’re all still passionate about this hobby.
As AI becomes capable of recreating any sound signature — warm, tube-like, analogue, ultra-wide, hyper-detailed, and everything in between — I’m starting to think the real future of audio lies in neutral, transparent, dynamic, and accurate hardware, while many of the “flavours” we chase may soon become software choices.
Over time, a few things have stood out to me:
• Warmth is pleasant, but it’s still coloration.
Beautiful, yes — but not accuracy, not transparency, and not always the artist’s intention.
• Warm gear enhances some tracks but softens accuracy in others.
Especially vocals, piano, violin, guitar, and other acoustic instruments. Some people hear this, some don’t, and some just prefer it that way.
• Modern Class D deserves more respect than it gets.
Many older audiophiles dismiss it based on outdated assumptions. But the latest designs are already extremely neutral, fast, and precise. I’m not sure how much longer Class A/AB will remain relevant beyond nostalgia and brand loyalty.
• Price reflects real quality only up to a point.
Beyond that, it becomes about branding, house sound, and personal bias. Preference is fine — but preference isn’t the same as absolute fidelity.
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⭐ Why I May Not Respond Immediately
This post is meant as a sharing of thoughts, not a debate I plan to defend point by point.
If I don’t reply right away, it’s because I’m taking time to read, think, and learn from others’ perspectives here.
Posting in good faith — looking forward to all views, supportive or critical.
@viber6 I concur with the result (passive controls sounding 'cool' or 'thin') but not the why. That is because the passive control allows the interconnect used to color the presentation far more than a properly designed active circuit might. The logical extension of this property is the proper use of balanced lines. If the balanced line standard (AES48) is observed and if the cables are operated with low impedances (which means the line stage driving the cable is actually a small power amp capable of driving 600 Ohms) then the cables have no audible differences/colorations between them. Of course, most 'high end audio' products I've seen do not support the requirements I just laid out, so there is some controversy about whether they are better.
That depends on how much loop gain the amp has and if it has feedback! Loop gain is the gain of the amp plus the amount of feedback, usually expressed in dB. So if the amp has 25 dB of gain and 20dB of feedback its overall loop gain (open loop) is 45dB. To get more loop gain the circuit is often more complex. Class D circuits (if self oscillating), due to how they make gain, can be a bit simpler. But even then, to reduce distortion further the pursuit of loop gain causes the class D circuit to be ever more complex. But the result is usually lower distortion. The simplest circuits, such as SETs, which usually operate without feedback, also have the most distortion, often at 10% at 'clipping'. They soft clip very well so that term is a bit of a moving target. But there are also fairly simple circuits that are low distortion so I don't think its a good idea to generalize on this topic.
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Perhaps you have the question backwards: a pure solitary note is a musical distortion. No analog musical instruments produce one pure note. The reason different instruments sound differently while playing the same note is due to the associated harmonics of that instrument, which some are calling “distortion”, when that “distortion,” when accurately reproduced, is the true sound of the musical instrument. (Modern electronic so-called “music” might be the exception to this, depending on the engineering and circumstances,) |
@drbond try tuning a piano or any string instrument with tuning forks, play the instrument for a score or two and then confirm the tuning with the same tuning forks again. Beating, oscillations, or warbling? |
@devinplombier ”Yes, it is only available on Apple products” A bit off topic, but l have never “warmed” to Apple products. Apple expect their customers to pay more for the equivalent hardware than their rivals. For the £$ comparative reasoning alone, l have only ever used Apple products when they have been free hand-me-downs. |