Can’t explain it, but you know It’s not working, some part of it is not right, you need to write Reed about it, and have it fixed,
Sometimes the magnetic anti-skate of my Acos Lustre GST-801 model fails, I saw photos once, still hard to understand, every day I am happy mine still works!
Even if only a little is needed, anti-skate is vital to proper tracing of both sides of a groove, (and to ride low enough in the groove) otherwise ALL the fine equipment is dealing with a compromised signal, can still sound good, but not great, certainly not as good as it can be which we all surely want, and all it costs is ’get it right’.
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Grooves, when properly or poorly ridden, benefit from advanced stylus shapes. Any given sideways force on a groove wall (and simultaneously the side of a stylus) will be distributed to a greater or lesser area determined by the amount of contact surface, so your line contact will distribute the same force over a MUCH larger area. Great, less wear if correct or off.
see the bottom rows in these charts
Avoid taking anything as exact, but for general guidance, they agree in concept.
This top chart is old, shows 3 varieties of Line Contact, MicroLinear the best on the chart.
The bottom chart is from Audio Technica, they are showing their ’Special Line Contact’ as significantly more contact area than their other profiles, the names relate to their brand’s named profiles.
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There is one ’VPI" trick you can try, because your arm has a short length of wire with a mini-din connector. Early VPI arms did not have any anti-skate mechanism. You spin a twist in the short length of wire before you plug it into it’s adapter. The tension of the twist exerts an outward pressure to the arm.
I was able to use the back-pressure of my Blackbird 12,5 arm's wire, but I want a reliably consistent adjustable force, not a random result that probably changes as the arm moves thru it's arc.

