I’m digging the Whest so far! The factory setting for MC is 100ohm and 65db gain. I’m using XLR outs and that adds 6db. Most likely higher than ideal.
I emailed Whest Audio with a question on what they think would be the best starting point for the settings with my cartridge for this phono stage using XLR. I had a reply in 20 minutes from James Henriot, CEO and Head of Design. He recommends I lower it to 60db which I did. It’s calmer now. I’m letting it break in but listening occasionally.
Phono Stage with XLR outs
Taking another stab at vinyl after about a year break. Not going too fancy but would like a phono stage with both RCA and XLR outputs. My amp, Boulder 866, only accepts XLR. I do have a set of Cardas adapters but thinking to do it right.
Budget - under $1500 used or new.
Table - Clearaudio Concept with Hana ML moving coil cartridge.
Not trying to compete with my Meitner MA3i digital front end. Just looking for good natural presentation.
Contenders - Pro-Ject DS3 B, Black Ice Audio Fusion, McIntosh MP100
Any other candidates that I should consider?
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@bobsdevices true. The premise of having a phono stage with XLR outs was to be able to use XLR cables between it and my integrated amp that only accepts XLR. I have never stated having a fully balanced phono stage was a requirement. |
You have received a lot of great suggestions. I'll add one more: the SPL Phonos Duo. I have the "standard" version of this unit and I think it's the best SS phono stage I have ever used. Made in Germany by one of the best audio engineering companies in the business. Their gear is well made (bulletproof), sounds great (very true and neutral) and has a small small footprint. Highly recommended.
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- 128 posts total