@dover i find your comment quite difficult to parse. what do you mean? because what is under the isolation platform is a solid but otherwise pretty standard credenza.
Credenzas are typically a conglomeration of complex uncontrolled resonances.
They are usually the worst type of furniture for a turntable. That’s why Linn promoted light rigid TT stands all those years ago. If they are solid wood, they still have uncontrolled panel resonances, if they have MDF or HDF then your TT is sitting on weetbix.
Light frames don’t store as much energy, and therefore the resonances are easier to control.
Racks are really a nightmare for any audiophile, because there is no perfect rack.
Most use combinations of materials to control resonances and vibrations from the floor.
I don’t like steel because it is magnetic
I don’t like aluminium because aluminium can cause hysteresis distortion with electrical signals.
Wood has resonances.
If I was a gazillionaire I would probably get something made from bronze/copper/carbonfiber composite.
I think if you get rid of the credenza, even a basic rigid steel audio rack will improve the sound quite substantially, you can play around with footers, provided it is rigid.
With my reference TT which weighs 130kg - I currently have it on a rigid steel rack sitting on 2ft thick concrete slab floor sitting on scoria/ground. No lossy materials, I want all energy running to ground. The key is rigidity and direct path to ground. The TT has no suspension, not required by design.
When I had a house with a sprung wooden floor, I put additional vertical beams in a structural wall and hung it on the wall. 2 men could jump on the wall shelf - no movement.
My second TT ( Garrard 301 which replaced the Verdier ) sits on a Symposium Foundation Ultra rack which seems pretty good without spending a fortune - it is very dead. I’ve heard both a Kuzma M and various Garrards on it - all with excellent results. My reference TT is too heavy for most standard racks.

