such as Sir Adrian Boult’s recordings of Ralph Vaughan Williams on EMI
I’ve recently come to the realisation, given the enormous variety of his music, that many audiophiles could be classified by the Vaughan Williams works they listen to the most!
The smooth, laid back Sonus faber types might favour the musicality of his Variations on a Theme of Thomas Tallis, or his variations on Greensleeves, or The Lark Ascending.
Those looking for sonic spectaculars might go for The Wasps. Coincidentally I just picked up the Boult/EMI record, secondhand.
Even within the symphonies there is a huge range. The hit-me-between-the-eyes brutality of war-time Symphonies 4 and 6 versus the more pastoral fifth, for example. Even then, the last movement of number 6 seems to depict a nuclear wasteland, never rising much above a murmur. The recent SACD by Antonio Pappano equals Sir Adrian’s performance in my opinion, and is one of my most played disks. It needs the full impact of a system that can unscramble the details within a symphony orchestra in full flight!
As an aside, The Lark Ascending was used as the theme music for the film The Year My Voice Broke, while the brutal first movement of Symphony number 4 was the theme music for the British Broadcasting Corporation’s TV series A Family at War. 2L.no has recorded the Tallis variations in full immersive sound, and it is a knockout

