Music lovers try to extract the best they can from their records, and accept recordings with their set achievable limits.
Perhaps the best answer yet. This is pretty much how I stand with it.
Excellent sounding LPs
To follow up on my post about “ Playable LPs” is a question I was really trying to get at. I used the wrong term in “Playable.” What I’m really trying to ascertain is what percentage of LPs sound really good on your system? I have 2000-3000 LPs but they vary widely in SQ. I’m sure you would agree 90% is not the case.
So, to rephrase my question, what percentage of your records are near or at audiophile quality?
@rvpiano “There’s more gold in listening to the music” Searching for the Eldorado in your own music l have personally learned not to beat myself up trying to drag out that last ounce of musicality from my system. Never ending changes make differences, but I’ve now accepted the fact, too much is bordering OCD land rather than entering Utopia. When listening and choosing what LP to put on l know from memory what to expect with the recording. However it does not influence me to play albums just because of a brilliant recording. It’s how l appreciate the content that matters, and what has motivated me to play that music again.
LP pressings quality and original recordings are beyond our control. Best to try and put those concerns to the back of our minds….. |
Ah, interesting topic. From experience, certain labels / recording engineers could be relied on for Hi Fi sound. Blue Note, Mercury Living Presence to name a few. That said in my collection many Pop and Rock records were crap shoots. I found first press UK for the UK artists "generally best" also German Pressings. But not all the time! I own a David B record US dyna flex that sounds GREAT. Go figure. Reissues? Touch and go; although I do like quite a few of Kevin Gray's offerings (although not all) |