Garrard 301 - Project

@lalitk 

Lol! Would that it were that simple!

Update: As they say, better is often the enemy of good. Artisan Fidelity’s statement oil bearing and hybrid platter system turned out to be a serious leap over stock Garrard 301 oil bearing + platter. The inverted large-bore bearing design and the modular copper-hybrid, internally damped platter transformation was easily discernible in terms of inner resolution, the lowered noise floor, and that rock-solid L/R channel separation. 

Listening to one of my often played test records, Audiophile Analog Collection Vol. 3 through this setup was a revelation, the sense of scale, the weight behind each instrument, and the uncanny blackness between notes made the music feel alive and effortlessly natural. The decay of a cymbal, the body of an upright bass, the air around a vocal, all presented with the kind of ease and refinement that reminds you why analog can be so emotionally addictive.

Spinning Shirley Horn’s “Softly, As I Leave You” from Audiophile Analog Collection Vol. 3 through this setup was pure magic. The room filled with that intimate, late-night atmosphere she’s known for — her voice floated between the speakers with lifelike density and breath, while the piano carried an almost liquid tone, each note decaying into an inky black background.

Another track, Jaco Pastorius’s “Fannie Mae” was pure exhilaration. The bass lines hit with physical weight yet stayed beautifully articulate, each note snapping into place with natural elasticity. The transient attack of the drums and the shimmer of the cymbals all locked in with uncanny timing and drive. There’s an immediacy and sense of propulsion that makes you forget you’re listening to a recording, it just flows.

The way this bearing and platter control energy, manage resonance, and reveal microdynamics brings an almost “live in the room” vitality to the music.

I can’t help feeling thankful to Christopher @Artisan Fidelity for presenting the opportunity to secure this bearing and platter set. They rarely, if ever, show up on the used market. This set strikes a perfect balance between classic soul and advanced engineering, reminding me why the Garrard 301 continues to inspire both nostalgia and innovation decades later.

Next up, Woodsong Plinth, can’t wait! 

@lalitk beautiful platter and bearing. Good to hear of the improvements. My much more modest upgrade to both parts was significant. I recall the platter upgrade here. (scroll down)

@noromance 

Thank you for your kind words. Just read your post, assuming you’re still using highly praised SPH bearing + oversized platter. I honestly believe this 70+ year-old classic design truly benefits from the upgrades to the platter, bearing and robust plinth.

 @fsonicsmith, @noromance ​​​​@mdalton @jperry  

I have an opportunity to pick up Audio Silente idler wheel for my Garrard 301 and I’m curious if you have a firsthand experience with Audio Silente or another brand over the stock idler wheel. 

To jog your memory, my 301 was completely rebuild by Audio Grail last year, since then I’ve upgraded the Artisan Fidelity bearing + platter and Woodsong plinth is on the way. 

My thinking, since I’ve already addressed the big-ticket mechanical upgrades (bearing, platter and plinth) the idler is now a high-leverage upgrade rather than a band-aid.

I would appreciate your thoughts or any 1-on-1 experience you can share before I take the plunge.